Dr Julian Luxford (jml5@st-andrews.ac.uk) specialises in later mediaeval British and continental art and architecture, and the history and culture of the mediaeval monastic orders. Other research and teaching interests include northern European Gothic art and architecture generally, northern Baroque art, and the historiography of mediaeval art history.


Dr Laura Moretti (lm93@st-andrews.ac.uk) specialises in Italian Renaissance Art and Architecture. Her research interests are focused on the relationship between architectural design and musical performance in Renaissance Italy. She is the author of Dagli Incurabili alla Pietà. Le chiese degli Ospedali Grandi veneziani tra architettura e musica (1522-1790) (2008), and the joint author (with Deborah Howard) of Sound and space in Renaissance Venice. Architecture, Music, Acoustics (2009).


Dr Tom Normand (tan@st-andrews.ac.uk) is a specialist in British art and photography of the nineteenth and twentieth centuries. He is the author of Wyndham Lewis the Artist: Holding the mirror up to politics (1992); The Modern Scot: Modernism and Nationalism in Scottish Art 1928-1955 (2000); Calum Colvin: Ossian, Fragments of Ancient Poetry (2002), and Scottish Photography: a History (2007).


Dr Alistair Rider (ajr1@st-andrews.ac.uk) researches North American post-war art, with a particular focus on sculpture from the 1960s and 1970s. He is the co-editor of an anthology of critical texts on Carl Andre (2006) and has recently written the first monograph on the artist Carl Andre: Things in their Elements (2011). He is currentlyworking with the poet Thomas A Clark on an exhibition that explores artists who have dedicated their entire career to fulfilling one single art project. He also writes on sculpture and ecology.


Dr Kathryn Rudy (kmr7@st-andrews.ac.uk) specialises in late mediaeval images from Northern Europe. Her interests include pilgrimage, indulgences, the physical handling of images, and the role of images in devotional culture. She has written about manuscripts, early printing, and panel painting in the Netherlands.


Dr Ulrike Weiss (uew@st-andrews.ac.uk) lectures inMuseum and Gallery Studies andworked in museums in Germany and Britain from 1996 to 2008. Her research interest is in eighteenth- century and early nineteenth-century art. Her publications on German Rococo sculpture and interior decoration include Carved Images: On form and function of Swabian relief sculpture 1715 to 1780 (1998) and she has recently finished a book of biographies of the Hanoverian Guelphs.


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