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T

100

The Top 100

Golf Course Designs

by Colin Sheehan

Too often golf courses are considered great because of exterior trappings—a prime location, a stately clubhouse or an esteemed history. Our design rankings, however, exclude all these factors, in order to examine the most important factor for a golf course: the actual layout of the course. To compile these ratings, we have separated overall playability from mere beauty, daring to divorce ancillaries like location and historic notability to focus solely on what makes one course superior over another. By doing so, we arrive at a list of the Top 100 courses that is in stark contrast to all others. By valuing property over location, playability over prominence, we have arrived at a truly definitive list. Shocking perhaps, but some of the more touted courses do not make our list. Designs like that of Shadow

Creek, once revered as feats of engineering, are now only novelties. Others like Baltusrol’s Lower Course have had their finest features muted over the years, with upgrades and/or restoration efforts actually undermining what once made the course great. We have included a few new courses like Kingsbarns because they are modern masterpieces of shaping, yet

ignored the vast majority of Rees and Robert Trent Jones, Jr. courses because they are not—mounds and contours courtesy of bulldozers will never surpass natural splendor. The old courses of Europe are better represented than those of America—The Golden Age of Design has in fact been reincarnated—while more holistic designs found in Australia, Asia, even Africa may be appearing for the first time on any list. By focusing only on design, our Top 100 List acknowledges something more fundamental and truly

tangible: the game and those who play it. Most golfers don’t choose how they are going to play, only where. They make a shot and deal with the result. The truly great designs make us think. As natural as a good swing, a course should be both challenging and welcoming. Each hole should be unique, and each time we play it should feel like visiting an old friend. Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95
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