“FOR ThE FIRST
TIME IN FOUR YEARS
I hAD ZERO
COMPLAINTS
FROM ThE ARTISTS
ABOUT ThE EXCESSIVE
BASS IN ThEIR AREA.
COVERAGE FOR ThE
AUDIENCE WAS VERY
GOOD BUT CLEANING
UP ThE SUB BASS
ISSUE WIThOUT LOSING
ANY POWER OUT AT
FOh WAS A TRUE
WORK OF ART.”
— BILL WINN
FOh enGIneeR And
MILO 650-P CQ-2 UPJ-1P UPA-1P UM-1P USM-1P SIM 3 Galileo MAPP Online Pro FEATURED PRODUCTS
SUPeRVISInG PROdUCeR
DUKE ELLINGTON
JAZZ FESTIVAL
frequency energy from spilling onto the reduction on the stage made a noticeable cessive bass in their area,” Winn contin-
stage. For the VIP area, the low-frequency difference to the performing artists. ues. “Coverage for the audience was very
energy of these subwoofers was steered good but cleaning up the sub bass issue
The main system comprised 16 MILO line
slightly upwards and away from the guests near the stage without losing any power
array loudspeakers, UPJ-1P VariO loud-
at the front, with a fourth 650-P firing at out at FOh was a true work of art.”
speakers, and CQ-2 loudspeakers, in ad-
45 degrees inwards towards the center of
dition to UM-1P, USM-1P, and UPA-1P Low-frequency directional control tech-
the VIP section to eliminate bass buildup.
loudspeakers for stage monitoring. A niques are one of the many topics
Using the delay and polarity control in the
SIM 3 audio analyzer handled final tuning. covered in the science-based techni-
Galileo loudspeaker management system,
cal seminars of Meyer Sound’s edu-
a 5.2 dB low-frequency reduction was
“For the first time in four years I had zero
cation program. Find out more at
achieved in the VIP area, while a 15.3 dB
complaints from the artists about the ex-
www.meyersound.com/education.
MEYER SOUND STORIES | VOLUME 3 | 2009 | 15
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