This book includes a plain text version that is designed for high accessibility. To use this version please follow this link.
and I liked the look of put my heart into that. “For twenty years,
it so much I used all of the portal has been closed. Now it’s
4
them, to extend the about to re-open, to a world where the

issue
dramatic moment. And minds of men are but a dream…” Yadda
it worked. He keeps yadda yadda.
Fluxion collapsing, falling in



slow motion, from all And when did you start making
ART
these different angles. films again?
When I got bored. After a certain point
I love the subtitle: A I could do the advertising job with my
Bad Girl Gets Worse. brain tied behind my back. So I began
She really does go to think about making another movie. At
from being a naughty around that time, my neighbors bought
country girl— a dog that barked incessantly. It was
You see her lying driving me nuts. So I decided to make a
down in the apple movie called The Barking Dog.
orchard reading a The movie centers around two women
magazine, while her who are slugging down margaritas the
sister picks all the whole film. The margarita mix photo-
apples. When her graphed this really lurid color; it looks
sister asks her to like they’re slugging down Bowlene. The
help, Tontileo’s first blender became a visual thread to show
line in the movie is, time passing. I did a lot of close-ups
“Fuck you!” of the margaritas swirling down by the
blades. There’s one close-up shot of
And at the end ice being thrown into the blender, and
she’s definitely a there’s a dead ant in the bottom of the
hardened criminal. blender. That always gets a laugh.
Physically she’s Anyway, these women are friends, but
gone from overalls they are complete opposites. They meet
and kerchiefs to a mink coat, a at her house for their monthly game of
very fashionable, powerful image. The gin rummy, and the dog starts bark-
Which is even more luminous on camera. final scenes where she wears that coat ing. So Barbara, who is a control freak,
She photographs like nothing I’ve ever she’s pretending to pick pockets, and decides to poison the dog. Her friend
seen. All you’ve got to do is light her. we filmed her in downtown Boston—in Judy, on the other hand, is a complete
So we made a movie called Straight front of Filene’s, on subways. We filmed ditz. She’s also a reluctant psychic. She
to Hell, starring Tontileo Lipschitz as a her wherever we wanted to, and that has visions she doesn’t understand. In
farm girl who gets really bored with the was the beauty of making a film like that. a hallucination scene that’s lit with red
farm, steals a train to go to the big city, You don’t have permits. You only have and blue gels, she sees Barbara going
goes on a crime spree, and attracts the an 8mm camera. You come, you go. You past the window at night, dragging
attention of the local crime czar, played get an enormous amount of local color. something. She’s seeing a B story go by,
by Greg Howe, who did the whole It’s like Zorro: You get in, you make your but she can’t put it all together. Still, the
performance in unbelievable drag. This Z, you get out. hallucinations get more and more vivid
guy would glue sequins to his eyebrows and cohesive, and longer, throughout
with Elmer’s and later dissolve them with Straight to Hell got you a job in the film. Eventually she has her grand
Lord knows what other toxic material. Hollywood, right? mal vision, where she sees the whole
He has a furniture fetish. He kidnaps Yeah, I finally decided to move to LA. thing: Barbara’s missing husband getting
Tontileo and sends a ransom note to her When I got here I had a small film festival poisoned at dinner, Barbara dragging a
sister, demanding a three-piece sectional with my friend Harry Hall, who moved blue tarp with perhaps a body in it, dig-
couch. In the basement he has an entire out here before I did. It was just for ging a hole for the body with a pickaxe,
storehouse of furniture that he got from friends and friends of friends, but one the tarp sits up, the body isn’t dead yet,
ransoming beautiful women. But he’s of them was a guy who worked at CBS, and that’s when we see Barbara take
also obsessed with her. Eventually he who said they needed promo writer- the pickaxe and just wale. Although we
lets her out and they fall in love, but then producers. This was 1980. The next never really see anything bloody.
she finds out that he has ransomed her thing I knew I was cutting spots for the
and she murders him. She’s got a little Tim Conway show. I love how you did the sound of the
jeweled six-shooter and she shoots him pickaxe hitting the body.
six times. I did a bullet POV, where the In a way it was a return to your roots, With a melon. The sound of a melon
camera keeps zooming up to the same which were in TV. smashing on the ground was the sound
little hole in his head, which looked like Actually I did the campaign for the new of a pickaxe slicing through his skull. The
a little black dot. I did a number of takes, Twilight Zone when it came out. I really sound effect is far better than anything
166
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210  |  Page 211  |  Page 212  |  Page 213  |  Page 214  |  Page 215  |  Page 216  |  Page 217  |  Page 218  |  Page 219  |  Page 220  |  Page 221  |  Page 222  |  Page 223  |  Page 224  |  Page 225  |  Page 226  |  Page 227  |  Page 228  |  Page 229  |  Page 230  |  Page 231  |  Page 232  |  Page 233  |  Page 234  |  Page 235  |  Page 236
Produced with Yudu - www.yudu.com