This moment, she explains, feels more profound than anything before. And it shows. Gone are the days of chasing external markers of success. What remains is clarity of purpose, of process, of presence.


This transformation hasn’t happened in a vacuum. It is the result of both rooted stillness and wide movement. A dance between inner listening and outer exploration. Between the silence of meditation and the energy of global stages.


“I’ve taken the time to reflect, meditate, and truly listen to what resonates,” she shares; an act of peeling back, rather than building up.


And yet, it’s the world outside—its rhythms, cultures, and communities—that continues to feed this journey. Travel, connection, the electricity interaction—all of


it has carved new shapes


of human in


her sound and spirit. The result is not control, but surrender. Not mastery, but trust. A recognition that she is part of something larger, something vibrational.


“Healing through music is not just an idea,” Giorgia affirms. “It’s a lived practice.” In her hands, music becomes a conduit for transformation, for communion, for catharsis. It’s not performance; it’s offering. And through that offering, she hopes to mirror something back to those who listen.


Because in the end, it’s not just about songs or sets. It’s about frequencies that can reach places words can’t. Giorgia’s sound isn’t just heard—it’s felt. A vibration that invites movement, stillness, and everything in between. A space where healing isn’t a concept, but a current, shared, embodied, and real.


MY THOUGHTS


To witness Giorgia Angiuli in motion is to realize that we’re not just listening to a musician; we’re communing with a conduit. by screens,


In a world increasingly mediated algorithms, and synthetic experiences,


Angiuli reminds us that technology need not sever our emotional cores—it can, in the right hands, deepen our empathy, heighten our consciousness, and help us feel more, not less.


Giorgia Angiuli’s trajectory as an artist is one of rare coherence: few musicians manage to align their musical evolution so closely transformation.


with their inner


What defines her today is not her technical prowess or her innovative live setup—it’s the clarity of her artistic philosophy. She is not playing at authenticity; she is living it. And in a genre often enamored with surface and spectacle, this feels quietly revolutionary.


It’s remarkable how her setup, which could easily drift into the overly cerebral or performative, remains anchored in feeling. Her choices feel intentional, not ornamental. She is not hiding behind the gear; she is opening herself through it.


As I write these lines, I can´t help but hear a voice that emerges both clear and composed, but also gently radical. Angiuli speaks of rhythm as medicine, of music as a lived practice of healing. These are big ideas, but she approaches them with humility. There’s no preaching, no overreach—just the steady articulation of someone who has done the work. Her reflections are grounded: the surrender she describes is not passive, but alert. The inner stillness she names is hard-won, not romanticized. And her sense of community—of building a shared emotional space on the dancefloor—is both idealistic and tangible. It’s easy to believe her because you can hear it in the music.


There’s also a rare emotional intelligence in how she discusses the tension between the ecstatic and the introspective. Many artists attempt to navigate this spectrum, but few do so with her level of nuance. Angiuli acknowledges the pressure to deliver energy while protecting the more fragile aspects of sound. Her approach is not about choosing one over the other, but about layering them; creating tracks that pulse with urgency while leaving room for reflection. This balance is delicate and, in her hands, deeply effective.


Ultimately, Giorgia Angiuli is not simply crafting tracks; she is cultivating states of consciousness. Her current chapter, as reflected in We Heal and her contributions to ARTCORE, feels like a maturation, not an endpoint, but a refinement of intention. She is an artist who listens deeply to herself, her machines, and her


audience. And in doing so, she offers


something rare: a sound that doesn’t just fill a space, but transforms it.


She is both shaman and scientist, architect and anarchist. Her tempos may rise, her frequencies may swirl into psychedelic chaos, but her grounding is unwavering. She leads with heart, guided by the belief that music is not just a commodity or a career, but a calling.


What gives her vision its edge is not just her technical prowess, but her emotional intelligence. In an industry that often celebrates the polished over the profound, Angiuli dares to be messy, intuitive, and raw. Her imperfections become the very proof of her power. And perhaps that is her most radical act: to be fully, unapologetically human in a field obsessed with perfection.


As we navigate a world in flux, with its political noise, emotional fatigue, and digital alienation, artists like Giorgia Angiuli become more than musicians. They become lighthouses. Her message is clear: the dancefloor can be a church, the synth a sanctuary, and the beat a heartbeat. All you have to do is listen.


And when you do, don’t be surprised if you come away not just entertained, but transformed.


Text by: Sergio Niño


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