search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
GENDER EXPRESSION THROUGH FAS- HION AND IDENTITY


Dana Montana’s bold visual identity is as much a part of their artistic expression as their music. As a non-binary artist, they uses fashion and makeup to explore and express their gender in ways that feel authentic to them.


“To me, it’s all a game of dress-up. As a non-binary person, I do not identify as a man or a woman and I just pick out elements that I personally like and that suit me and imple- ment them into my looks.”


Their stage persona is even more flamboyant, embracing a futuristic and funky aesthetic that blurs the lines between human and alien.


“On stage, I go for an intergalactic, funky aes- thetic. “WIth my face painted, I feel just like a more extravagant version of myself, it’s not a character”.


Dana credits two major influences for their approach to gender expression: Juno Birch and Lady Miss Kier from Deee-Lite.


“Juno Birch is a drag performer and an alien woman! They was the reason why I painted my face for the first time. It felt so good and na- tural to me, and I felt so fabulous that I kept doing it ever since”, Dana shares.


Lady Miss Kier, on the other hand, inspires Dana both visually and musically.


“To me, Deee-Lite’s visuals and music are the definition of queerness and camp. Their music still sounds so relevant today.”


LOOKING FORWARD


Dana’s calendar is packed with exciting per- formances, including the highly anticipated Doel Festival.


“Besides PRIDE, I’m really looking forward to the Doel Festival, which takes place at the


24 mixmagnl.com - mixmagde.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48