eli brown


eli brown Breaking boundaries, building arcane


Eli Brown is not just another name in techno; he is a phenomenon that reshaped the mainstage sound without losing the grit of the underground. Born in Bristol and forged in the city’s moody drum and bass legacy, he came onto the global radar in 2016 with a raw, visceral style that carried the edge of the UK underground straight into the world’s biggest arenas. Today, he stands as one of the most-strea- med techno artists alive, with over 300 million plays, millions of monthly listeners, and support from titans such as Carl Cox, Calvin Harris, and Adam Beyer. However, the real story is even deeper: two decades of evolution, relentless work, and an obsession with pushing techno to new heights.


From basements to Coachella, Tomorrowland, and even The Sphere in Las Vegas, Brown has turned every stage into a case study in scale. His sets are crafted with precision yet delivered with instinct, always carrying that dark intensity that made him stand out in the first place. Now, as he prepares for his Me Gusta tour across Latin America, he reflects on the passion of those crowds, the cultural spark that the collaborations with GeezLy, and the unique energy that cities like Buenos Aires, Santiago, and Lima bring to his performances.


His journey has always been shaped by outside influences, from the early days of Bristol’s drum and bass pioneers, such as Roni Size, to the global collabora- tions that now define his catalog. Brown trusts instinct first, tests everything on the dancefloor, and only allows the sharpest of his productions to see the light of day. This method has de- livered some of techno’s most viral anthems,


while also shaping the identity of his label, Arcane, now one of the most prominent techno imprints in the world.


from ‘Believe’ to ‘Wavey’,


But Eli Brown is more than a producer, more than a DJ, more than a label head. He sees Arcane as a cultural bridge, a place where underground credibi- lity meets global ambition. He uses fashion and visuals as an extension of his


artistry, keeping mystery alive in an era of overexposure. And above all, he is driven by the same fire that lit him up as a teenager discovering Leftfield, The Prodigy, and Orbital: a belief that te- chno can constantly evolve, and that the most rewarding feedback is when someone says they didn’t even know they liked techno until they heard him play.


From Bristol basements to mainstages worldwide,


case study in how to scale without losing identity. For many artists, the big stage dilutes the sound. For Eli, it’s a challenge worth embracing.


Eli Brown’s trajectory is a


51


AUTHOR: SERGIO NIÑO PHOTOGRAPHY: STEPHEN HUGHES


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200