“In that moment of despair, I turned to one of my favorite writers – Charles Bukowski – and remem- bered a quote that inspired me to write the rest of the lyrics. I finished “Cherophobia” and so far, it’s one of the best songs I’ve ever produced in terms of storytelling and composition”.


Through the music, Hozho explores this internal struggle, providing a therapeutic outlet for his own emotions.


“Until then, it felt like I was avoiding everything that made me feel good and happy: making music, hitting the gym, walking on the beach, spending time with family and friends… and that mood ins- pired the name of this track and EP.”


Hozho’s next single, Adderall, is set to release on October 11, and he is excited to share this com- plex piece with his audience.


“My next single is ‘Adderall,’ a highly anticipa- ted track that also appears in my DJ Mix 04. I can confidently say it’s one of the best tracks of the album. It’s a very complex song, with a lot of storytelling and details, inspired by ADHD and one of the most famous pills for treating it.”


“The track follows the mental health theme and the concept of “Psychological Issues”. An inte- resting fact about this song is that in the version featured in DJ Mix 04, there are no vocals in the main break, but the official version, which will be released on October 11, will have a vocal part”.


The release will feature a vocal part that was ab- sent in the original DJ Mix 04 version, adding ano- ther layer of emotion to the track.


“Performing ‘Adderall’ has been a highlight in my shows, so I’m very excited about this release.”


Looking ahead, Hozho teases what’s to come in the lead-up to the full album release.


“After Adderall, I’ll be releasing another single on the first week of November” he reveals.


“This will be an entirely new track that’s not part of DJ Mix 04 and hasn’t been played in my shows yet. Needless to say, this track will follow the the- me of mental health and psychology and will con- tain a small easter egg.”


Hozho has also collaborated with Pulse from the UK on a track titled Menace, which features rap – a new venture for him.


“For the first time, I’ve decided to combine rap with electronic music, of course following the mental health theme.”


Psychology, as Hozho explains, is central to his artistry. He sees it as a universal language, one that complements music in profound ways.


“It’s definitely a universal language that everyone can relate to. Just like music. I truly believe the two go hand in hand.”


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His background in psychology, which he studied at university, has greatly influenced his work.


“My interest in the human mind goes way back, and being able to apply that to my music is one of the most therapeutic things in the world.”


The plague doctor mask, a visual hallmark of Hozho’s identity, adds an extra layer to his per- formances. He elaborates on how this mask con- trasts with the emotional intensity of his music:


“This mask creates a visual contrast between an emotionless exterior and deeply emotional fee- lings expressed through my music. So when I step up on stage with my mask and start my musical journey, the crowd can’t see my emotions, but they can feel them, and that’s what matters most to me.”


For Hozho, the mask is symbolic – a way to ward off the negativity and bad vibes that his audience may carry with them. As the interview draws to a close, it’s evident that Hozho’s artistry goes beyond the surface. His DJ Mix 04, where actors personify different psycho- logical disorders, is a powerful metaphor for men- tal health struggles.


“By using these characters, I not only highlight the personal challenges of living with mental health issues but also attempt to illustrate the power of community and art in the healing process.”


As I wrap up my conversation with Hozho, I can’t help but reflect on how deeply personal his music is—both for him and for those who connect with it. His ability to translate complex emotions into sound, from the dark and brooding to the uplifting and hopeful, leaves a lasting impression. It’s not just about the beats or melodies; it’s about the vulnerability and openness he shares with his lis- teners. Speaking with him, it’s clear that Hozho is on a journey not just as an artist, but as a human being navigating the challenges of mental heal- th, and that makes his music resonate on a more profound level.


From the haunting atmosphere of Cherophobia to the strategic way he’s releasing Psychologic Issues, it’s obvious that Hozho’s art is more than just a career—it’s a means of healing, exploration, and connection. He’s not afraid to take risks, push boundaries, and challenge his listeners to enga- ge with their own inner worlds, someºthing that’s becoming increasingly rare in today’s fast-paced music scene. That courage, to be both authentic and vulnerable, is what sets Hozho apart.


As I think back on our conversation, I’m reminded that Hozho’s music, at its core, is a reflection of the human condition—the light and the dark, the joy and the pain. His journey is one we can all re- late to in some way, and it’s inspiring to see an artist so willing to share his own struggles while guiding others through theirs. Hozho’s story isn’t just about making music; it’s about creating a space for introspection and connection, and I feel privileged to have had the opportunity to share in that experience.


Text by: Sergio Niño


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