This return to the visceral has reawakened his creative process, extending even into how he imagines his life in metaphor. When asked what this chapter would look like as a painting, Picasso doesn’t hesitate.
“It’d be big, loud, and full of bright pastels — think pinks, blues, yellows, all clashing and blending. Lots of texture, messy brush strokes, but full of life and movement.”
He imagines something between Basquiat and Rothko — layered, chaotic, alive. He smiles and adds:
“I’d call it ‘Unframed’ because right now, I feel like I’ve stepped outside the box and finally got to create without borders.”
Booty EP is not just a musical release — it’s a symbol of unframing, of re-entering the dancefloor (and the self) without inherited scripts. In a world where so many artists are boxed in by algorithms, legacy, or
expectation, Florian
Picasso has chosen risk, texture, and breath. He has chosen freedom — and that, more than any drop or hook, is what makes this release so electrifying.
MY THOUGHTS
There’s a quiet kind of rebellion in choosing depth over dominance, connection over control. In an industry that often rewards consistency more than courage, Florian Picasso has stepped into uncertainty with remarkable clarity, not just changing his sound, but changing the space in which that sound lives. The result is not a rebrand, but a rebirth: textured, unapologetic, and unbound by the expectations of lineage, genre, or market.
What makes this evolution particularly
compelling is that it’s not performative — it’s personal.
These tracks, platforms, and
performances are not just career milestones; they are emotional records, archived in basslines and brush strokes. From the raw vitality of Booty EP to the intimate transformation of his DJ sets, Picasso is creating not from a place of legacy, but from a place of lived experience — and that distinction makes all the difference.
And yet, even in this moment of freedom, there is discipline. Every shift is intentional— a curatorial eye guiding the work not just toward expression, but toward meaning. He’s not escaping structu- re; he’s choosing his architecture. The house he’s building — with Dekadance, DKD Records, and his evolving sound — is one where paradox can live, where joy and chaos, philosophy and fun, history and future all pulse under the same roof.
Florian Picasso calls this chapter Unframed — a title that doesn’t just describe where he is, but in- vites others to meet him there. Outside the box. Beyond the blueprint. In the raw space of beco- ming, where art is not inherited but earned, and where the beat doesn’t just drop — it liberates.
Text by: Sergio Nino
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