COVER STORY


ADIEL: AUGMENTING THE MUSIC SCENE’S REALITY


Adiel, a luminary in the vibrant realm of electronic music, emerges from the heart of Italy’s pulsating scene. Her


journey began


in the legendary Goa Club, where the underground ignited her passion.


In this exclusive interview with Mixmag, we dive deep into Adiel’s creative process, where vibrant beats blend seamlessly with augmented reality, pushing the boundaries of the electronic music experience as we know it.


Adiel’s journey kicked off at the vibrant Goa Club. The underground buzz and the seismic raves of 2010 lit a fire that still burns. Yet, it was the first touch of vinyl, the spinning turntable, that felt like destiny calling.


“My musical journey started as a resident DJ at Italy’s most important club, Goa Club. The underground Italian scene, coupled with the raves of 2010, fueled my passion. However, it was vinyl that truly ignited my love for DJing. I vividly recall the sensation of touching a record for


the first time, and even more


exhilarating was my initial experience with a turntable. Playing records feels like my destiny.”


Vinyl is more than a relic; it’s the very fabric of Adiel’s sonic adventure. Navigating its quirks, especially on big stages, transformed into an art form. With Hector Oax as the guiding light, Adiel found the way through the vinyl maze.


“While vinyl remains a cornerstone of electronic music culture, I believe we still need to cultivate more of


it! Playing with


records isn’t always convenient; many vinyl DJs face challenges, especially on larger stages. Personally, playing on grand stages is always a monumental challenge, and there was a time when I felt immensely frustrated when things didn’t go as planned. A crucial factor is having a clear


and comprehensive te-


chnical rider. Since I began using Hector Oax’s rider as an example, things changed. Understanding why he succeeded in using only records on certain stages while I was struggling


10 mixmagcaribbean.com like crazy, was a puzzle I was determined to solve.”


“That’s why I advocate for more education in this area; people seem to forget the finer, but ever so important points. If I can’t play with records, I don’t feel like myself. To navigate these difficulties, I’ve created a backup of all the records I play in digital format, which has proven to be a wise choice. This has been a recurring topic of discussions with my manager, who encouraged me to seek an easier path, but I have an aversion to convenience. It’s simply how I prefer just letting the music speak.”


to play—no frills,


Playing with records overrides convenience; it’s a necessity etched into Adiel’s artistic DNA. The selection process, an alchemical blend of classics and modern gems, became the forge of Adiel’s unique sound. Endless hours of honing the mixing craft led to her perfection.


“For me, playing with records is a necessity, one that I’ve transformed from a potential weakness into a real strength. Initially, my goal was to sculpt my own sound, and I believe I achieved that swiftly through extensive research and countless hours spent in record shops curating a selection that ranged from old classics to contem- porary gems. Subsequently, my focus shif- ted entirely to refining my mixing skills.”


“I used to dedicate 8 to 9 hours a day to perfecting my


mixing, striving for


flawlessness. The objective was to make no mistakes. It was an intense experience, but it was also the only thing that truly brought me happiness. It was the only way I could delve deep into myself and truly understand myself as a DJ—playing, whether


alone,


for friends, or later in the club, became my life’s dream. I would record myself playing and listening back to those recordings proved invaluable in learning from my mistakes. It was an incredibly helpful practice. Playing with records demands intense concentration, precise movements, a wealth of


skill, an


intimate knowledge of your records, and a clear mind to swiftly choose the next track.”


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