124 LIGHT + TECH
SEMI PENDANT GUBI
The thing about a very simple, pared- down shape is that it has to be just right. That’s the feeling you get from the Semi Pendant. Its line, based on the idea of putting two crescent shapes back to back, is perfect. Designed in 1968 by Claus Bonderup and Torsten Thorup, the flared metal shade was a reaction to the soft organic forms prevailing in Denmark at the time. Bonderup and Thorup wanted to create a lamp that incorporated sharp, clean lines and a geometric shape. The design won first prize in a competition at the Royal Danish Academy of Fine Arts, School of Architecture. Perhaps a bit of a slow-burner, in the 1980s the pendant became Denmark’s bestselling design and gained worldwide recognition.
Previously available in 30cm, 47cm and 60cm diameters, Gubi has recently introduced an impressive 90cm version, a scale even more appropriate to the meeting room, restaurant or lobby. Made of painted spun aluminium, it is available in black or white, both with semi-matt finish.
The designers: Claus Bonderup and Torsten Thorup Thorup and Bonderup, born in 1944 and 1943 respectively, both
graduated from the Royal Danish Academy of Fine Arts, School of Architecture, in 1969. The two architects
subsequently worked together at Danish architect Henning Larsen’s studio in Copenhagen. They teamed up professionally for the majority of their careers after Bonderup returned from a stint in Brazil with the architect Sérgio Bernardes, and began working with Thorup’s firm, which was founded in 1968. Together they have designed watches and in-store displays for Georg Jensen, the Arktikum museum in Finland and the harbour area in Helsingør (Elsinore), where they designed everything from urban planning to the ticket of ices. Their floor lamp, designed in 1978, and table lamp, 1979, are both featured in the MoMA New York collection.
gubi.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161