search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
Dog Bytes ALICE GOODBODY (Sharon Kelly) learns that the old showbiz adage “Break a leg!” can be applied to other body parts too.


Alice


Goodbody’s History of Hereafter


ALICE GOODBODY aka GOSH!


1974, Code Red, $19.98, 81m 32s, DVD By John Charles


Voluptuous redhead Sharon Kelly has the title role in this showbiz sex farce as a starstruck (and not very bright) waitress who finds that breaking into the mov- ies means spending a lot of time on her back... and not just in the obvious way. Repeatedly injured on the set of Massive Pictures’ would-be musical epic “THE WORLD OF JULIUS CAESAR,” Alice finds the size of her role increas- ing with each black eye and frac- tured limb, providing that she is willing to sleep with half of the crew and Massive president Manny Spearman (Arem Fisher).


8


The humor is pretty one-note (you’ve never seen so many oral sex gags in an R-rated movie) and Joe Dante and Allan Arkush’s HOLLYWOOD BOU- LEVARD would do a better job of mining laughs from this basic premise, but Kelly (a Harry Novak regular who would eventually segue into hardcore porn under the name Colleen Brennan) is appealingly daffy and the action behind and in front of the cam- eras on the Julius Caesar produc- tion (a spoof of JESUS CHRIST SUPERSTAR with alleged numbers like “Julius Caesar, Crowd Pleaser”) generates a few smiles. Principal among the supporting players is ubiquitous character actor George “Buck” Flower (billed as “C.D. LaFleure” to evade SAG) as the production’s voyeuristic slob of

Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84