search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
ADDITIVES | PIGMENTS


developed. This preserves better mechanical properties in the final compound. It also avoids the need for adding other coloured pigments (for example, phthalocyanine, quinacridone or ultrama- rine pigments) as shading partners to achieve a deeper black, which makes formulations less complex and more economical.” says Dumont.


Above: Microlen Piano Black 0077 MCN from BASF is aimed at high quality automotive interior applications


ing high-end packaging. Lumina Royal Russet 9S590D enables high-chroma red shades and provides greater formulation flexibility while Lumina Royal Amber 9S290D creates a strong sparkle for bronze, orange, golden and red effect shades. Both effect pigments meet broad, global food compliance standards and are compatible with commodity resins and a broad range of engineering plastics, says Dumont. Several other new pigments from BASF extend


the durable colour space for high temperature polymers. Sicopal Red K 3050, Turquoise K 8215 and Green K 9615, Cinquasia Rubine K 4370 and Paliogen Blue K 6500 offer high temperature and chemical stability. “The selected pigments can withstand the extreme high processing tempera- tures that are needed for high temperature polymers, such as PA, PPA, PSU or PPS, and for engineering plastics that are used in extremely demanding applications such as electrical parts, chemical plants or power tools,” Dumont says. BASF’s new Microlen Piano Black 0077 MCN enables a deep and enduring black colour for high-end plastic design. “Using a unique disper- sion technology, the carbon black pigments are so finely dispersed that the jetness is much better


Exceeding requirements Ferro has developed a new FCP range of complex inorganic colour pigments (CICP) designed to meet and exceed regulatory requirements for food and cosmetics packaging. It implemented processes to ensure that raw materials met product specifications and that there could be no cross contamination during production, according to Daniel Lladó, Marketing Manager for Plastics at the company. The new Lysopac Yellow 6614B is a bismuth


vanadate pigment that Ferro says offers good heat, light and weather-fastness as well as providing a high tinting strength. The pigment offers good dispersibility (FPV) for fibre and film applications and can be used in food contact applications (EU10/2011 regulation). An improved encapsula- tion technology achieves dense and uniform layers of coating on the pigment, providing enhanced performance, says Lladó. The latest bismuth vanadate pigment from Dominion Colour Corporation – DCC Yellow RMXS – provides very good dispersion and opacity together with fast colour development, according to the company’s Global Product Marketing Manager Bruce Howie. Process innovations allowed the company to create a yellow that is 20–30% stronger in polyolefins than comparable pigments, he claims. “When customers formulate with DCC Yellow


RMXS, they can use less pigment to obtain a similar colour strength to conventional grades of PY 184 [conventional bismuth vanadate pigment yellow]. Or they can take advantage of the higher colour


Spotlight on regulation 2019 Antimony Day


Antimony is not the first or last plastic additive subject to regulatory scrutiny and restrictions. Industry wants better, safer and continued use of Antimony. Join us on October 1st


to be on top of regulatory


SPOTLIGHT ON REGULATION


developments affecting Antimony! Register via www.antimony.com/antimony-day


TUESDAY OCTOBER


ST


ANTWERP BELGIUM


PHOTO: BASF


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106