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4 NEWS


Managing Editor James Parker jparker@netmagmedia.co.uk


Publisher Anthony Parker aparker@netmagmedia.co.uk


Editorial Co-ordinator Shelley Collyer


Editorial Assistant Tom Boddy


Editorial Contributor Sébastien Reed


Studio Manager Mikey Pooley


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As our contributor Charlie Sharman of Cantifix comments on page 10, the power of light for wellbeing needs to be carefully moderated in order to ensure that wellbeing isn’t hampered. As he says, low-e glass can be the answer to reduce not only heat gain, but also harmful UV. On the other hand, the visual appeal of glazing can be damaged by the greenish hue of iron in thick glazing, so low-iron options are available, if the client is prepared to invest.


If wellness is truly as valued as we are all now saying it is, however, clients will also recognise the higher light transmittance of low-iron glass too, which will benefit users practically as well as psychologically.


Annual subscription costs just £48 for 12 issues, including post and packing. Phone 01435 863500 for details. Individual copies of the publication are available at £5 each inc p & p. All rights reserved


No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, including photocopying, recording or stored in any information retrieval system without the express prior written consent of the publisher. Although every effort is made to ensure the accuracy and reliability of material published in Architects Datafile, the publisher can accept no responsibility for the claims or opinions made by contributors, manufacturers or advertisers. Editorial contributors to this journal may have made a payment towards the reproduction costs of material used to illustrate their products. The manufacturer of the paper used within our publication is a Chain-of-Custody certified supplier operating within environmental systems certified to both ISO 14001 and EMAS in order to ensure sustainable production. Printed in England


Light is fundamental to life, and as we continue to be based in our largely dark, traditional (as well as modern) British homes, designers need to do everything they can to bring that crucial resource into spaces. Glazing innovation may be placed at the core of the raft of domestic refurbishment projects we’re likely to witness as Covid refuses to disappear, which is a glimmer of light for the industry.


James Parker Editor


GLASS & TRANSLUCENT MATERIALS


02.21 adf ON THE COVER...


Designed by Serero Architectes, the Bayeux Mediatheque is a highly transparent, modern multimedia library flooded with light, a building that feels at home in historic Normandy.


For the full report on this project, go to page 20.


FROM THE EDITOR


I


f there’s one thing that the last few months have taught us when it comes to our internal environments, it’s how important the quality of light is to our work. Anyone computer based is now working largely in a home environment, and like me you may have invested in a startlingly bright daylight bulb in order to help you try and stay focused during these long, gloomy winter days.


It’s a truism to say natural light is also fundamentally important to the quality of our lives as well as our work, but the pandemic has brought it home, quite literally. Many of us don’t enjoy huge swathes of glazing at home (and if we do, it might be painfully inefficient vintage single- glazing!), but we all have windows, and all function based on how we relate to them.


Circadian rhythms, ie how our bodies respond to the cycles of day and night, are important; it’s believed we feel better with a changing light during the day to help support this. Indeed where the right natural light can’t be accessed, such as in hospitals, lighting manufacturers have produced systems which can replicate this. But the best solution is probably the right kind of glazing, in the right position.


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ADF FEBRUARY 2021


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