This book includes a plain text version that is designed for high accessibility. To use this version please follow this link.
25 f 12 shots from the fRoots Rocket Launcher a dozen leading questions to fire at Benji Kirkpatrick


If you were given the funds to organise a concert bill, who would the artists be?


Jimi Hendrix, obviously, would have to top the bill. I’d also have The Band, Crosby, Stills, Nash & Young, ’70s era Ry Cooder, The Meters, ZZ Top, Gjallarhorn, David Munrow’s Early Music Consort of London, Larkin Poe, So period Peter Gabriel, Chuck Berry and Abigail Washburn. And if I’m allowed a touch of nepotism, Battle Of The Field line- up Albion Country Band.


Which totally obscure record do you most treasure and would like more people to know about?


Difficult. It’s not particularly obscure but


there’s an album called Let it Die, by Feist, which I completely love and find very mov- ing in places. I’m a big fan of Finnish band Gjallarhorn too and think their album Sjofn is fantastic, they should have had more exposure in this country.


What was the best live gig you ever saw?


Really can’t choose on that one, differ- ent gigs have been the best for different reasons. For one of the most impressionable (and at an impressionable age) it would be seeing Sting at the NEC touring his first solo album. That album, The Dream Of The Blue Turtles, was very popular in our house and my mum took me and my older brother to see him, it was quite mind-blowing at age nine! Also at a key point in my life, seeing the Levellers in 1992 at their height (NEC again…). More recently I was rather blown away by Larkin Poe at Beautiful Days festi- val a couple of years ago, a collection of seriously brilliant musicians.


And what was the worst?


This may be controversial, but Bob Dylan. Hop Farm festival, maybe 2012, Bel- lowhead had had a good set, followed by Joan Armatrading, Patti Smith then Dylan. Many of us in Bellowhead were keen to see the croaking legend so had hyped ourselves up for it; he came on and had obviously requested the cameras that had been film- ing for the stage screens stop rolling, so being back in the understandably massive crowd we could hardly see a thing. Then he started singing. Although you couldn’t real- ly tell that’s what it was. I know he has a cer- tain reputation when it comes to his voice but I found it ridiculous, I could barely make out a word and he was half way through Like A Rolling Stone before I realised which song it was. Or maybe I was just pissed. The worst gig for disappointment levels.


What was your own best ever gig?


I’m hoping I haven’t done it yet! A stand out gig so far was supporting Seth Lakeman in 2007 at Shepherds Bush Empire.


And what was your worst? Maybe I haven’t done that one yet,


either…


What’s the professional achievement you’re most proud of?


Well, I’d have to say my recently released album, Hendrix songs! I’m very pleased with how it’s come out. I was also very proud of my last solo record, Boomerang.


What’s the most embarrassing thing you ever did in public?


Vomited.


Which song or piece of music would you most like to have written yourself?


Happy Birthday. It’s the highest earning song ever.


Who was the first musician or singer you were inspired to emulate?


Jimi Hendrix. Before that, though, I tried being Chuck Berry.


Who was the last-but-one musician or singer you lusted after?


Why not the last one?! Rebecca Lovell, of Larkin Poe.


If you had a rocket launcher, who or what would be the target, and why?


George Osborne. No explanation need- ed. And if Donald Trump happened to be standing next to him, that would be just great.


Benji Kirkpatrick is busy with the farewell touring of Bellowhead and other ongoing teamings including Faustus and a new duo with Janie Mitchell. He’s currently on tour promoting his new solo album of original acoustic versions of the songs of Jimi Hendrix. www.benjikirkpatrick.com F


root salad


Photo: © Judith Burrows


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84