Glasgow Film Festival Glasgow Film Theatre March 1-12 This is NUJ member Allan Hunter’s 15th and final year as festival co-director. The festival has a focus on Spanish cinema, a retrospective of women’s journeys of self-discovery and a celebration of the documentary work of Lee Grant, survivor of the anti-communist blacklist of the 1950s.
https://tinyurl.com/2fbystuk
Theatre > Grenfell: System Failure On tour until March 26 Richard Norton-Taylor, the former Guardian security editor who writes for Declassified UK, gets back with director Nicholas Kent for a verbatim summary of the Grenfell Tower inquiry.
https://tinyurl.com/2ea3oxwj
How Not to Drown Touring until April 12 Dritan Kastrati escaped from Kosovo as a child, arriving in the UK with no English and nowhere to live. He stars in his own story, co-written with Nicola
McCartney, in a physically dynamic production by Neil Bettles for ThickSkin.
https://tinyurl.com/y344zunm
Spotlight > Running resilient MIHAELA BODLOVIC
Kin Touring until 2024 Amit Lahav, artistic director of Gecko, imagines the journey from Yemen to Palestine taken by his grandmother in 1932 to escape persecution.
https://tinyurl.com/2kbejbcf
The Merchant of Venice 1936 Watford Palace Theatre February 27-March 11 Tracy-Ann Oberman plays a female Shylock who has wound up in London, a refugee from Russia’s pogroms, when the British Union of Fascists is active.
https://tinyurl.com/2eofjrap
ERIC GRAVEL’S movie Full Time takes place in a Paris beset by strikes. The rail network is at a standstill, the buses are off and you can get a taxi only by pulling strings. All of this puts
Julie at a severe disadvantage. A single mother of two, she lives out of town and needs astonishing stamina just to get into work. Rarely on time, she risks losing her job as head maid in a high-end hotel. We hear next to
nothing about the reasons for the
industrial action, nor do we need to. We see nothing of the wealthy – and filthy – hotel guests either. Implicit in Full Time
(À Plein Temps) is the idea of an economic system based on exploitation, one in which those who
depend on work for their living are expendable, while the privileged few profit from their labour. Shot in a frantic
close-ups, taut and claustrophobic, it makes for bleak but compelling viewing, not least because of the superb central performance by Laure Calamy (Noémie Leclerc in Call My Agent). While she is a
woman with the odds stacked against her, rarely does her façade of cheery competence crack. At fault is a merciless
system, but it is she who carries the weight, resilient to the last. In cinemas from
March 17
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