search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
Ramsey's Rambles By Ramsey Campbell

DEMIR PENÇE KORSAN ADAM “Iron Claw the Pirate” 1969, Onar Films/Xploited Cinema, DD-2.0/ST/+, $29.95, 84m 50s, PAL DVD-0


A Turkish Fantômas! My innards haven’t quailed so much since I ate my first Izmir Kebab in Turkey, necessitating medication that turned my leavings a nearly fluorescent green. Feuillade’s original Fantômas serials (1913-14) comprise the earliest indisputably great film I’ve ever seen, and the notion of setting the masked villain against a Sixties crime fighter struck me as presumptuous at best. Well, the Feuillade is also a great deal of fun and so, in a different way, is Çetin Inanç’s Demir Pençe Korsan Adam. His Fantômas (Necati Er) is certainly rein- vented, by gum. He first appears on a decidedly rickety secret monitor to tell all the Turkish secret agents that he will come to Istanbul alone (his “ul- timate revenge,” on whom isn’t clear). Presum- ably this means he’s leaving behind the entourage that crowds into the monitor: three vaguely inter- ested girls with two more behind them in front of three men and a girl. He’s probably right to aban- don them, since they don’t do much—anything, actually. His adversary Iron Claw (Demir Karahan) meanwhile goes to a graveyard to be handed a gun in a holster from offscreen, at least the way this print is framed. He vows unstoppable revenge on the bad guys, and his leathery Batman cos- tume complete with cape and half-face mask adds to his authority. His gravitas is undermined only by his belt, which bears what appears to be a robot’s funny face.


His uncle (Danyal Topatan) overhears secret agents in a nightclub planning to swap microfilm


68


for a professor in a haunted mansion. Presum- ably, like Fantômas’ entourage, the ghosts have stayed away. The mansion does offer several mem- bers of the local Mafia, identified by their hats. Behçet (Behçet Nacar) wears a Russian one, per- haps to signify that he’s the leader of the secret agents. He hands over the microfilm, which a Mafia man examines for quite a long time before decid- ing it’s porn footage. Iron Claw (or Demir Pence, to give him his Turkish name) shows up for the end of the ensuing shoot-out and announces “From now on, I’ll be your pest.” Who could resist such an offer? Mayhem ensues, as it frequently will, and Pence proves impressively athletic. He can leap from a bridge in a single bound, and pre- fers to swing from a whip rather than use the stairs. After the mêlée, he even greets the befuddled professor by jumping in front of him. Fantômas is informed of the debacle. All his girls (except one) have gone home, leaving him with just four men marked F. They or their fellow Fs prop up the wall at a meeting of Turkish agents to discuss Fantômas’ plans. Project A4 (presumably not a sta- tionery order) is mentioned and heard of no more. Pence and his sidekick Yilmaz (Oktar Durukan) raid the agents’ hideout and shoot innumerable prolifer- ating F men. Apparently Pence is so committed to the pace of things that he didn’t have time to put on his mask. The police arrive, and the subtitles make their leader say “Get well soon, Iron Claw.” He might have saved that wish for Yilmaz, who dies too if not from music suspiciously like Mantovani.

Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84