Books of the Year 2018
A boom in poetry, a plethora of books about bold girls and boys, the continuing resurgence of illustrated non-fiction and the arrival of a host of exciting new authors for junior readers, 2018 has been another vibrant year for children’s books. We asked those in the know to choose their books of the year.
Teresa Cremin, Professor of Literacy, Open University The children’s book I’ve enjoyed most in 2018 is Armistice Runner by Tom Palmer. Set in the Lake District in 2018, it opens a window on war-torn France a hundred years before. The lives of Lily and her great-great granddad Ernest are connected in layered ways - their youthful pleasure in running and competing is evidenced through her life and his diaries, and the page motif of Lily and Ernest respectively running across the fells and the battlefields serves to underscore this. Pacing is strong as the two narratives unfold and the sensitivity with which grandma’s Alzheimer’s is handled is frankly superb. I read it at one sitting, and then devoured it again. Children will too.
Nicholas Tucker, honorary senior lecturer in Cultural and Community Studies at Sussex University. My choice is Lucy Mangan’s Bookworm. A Memoir of Childhood Reading. This is a wonderfully honest, insightful and occasionally poignant record of her life-time experience with children’s authors past and present, some still famous others now largely forgotten. Young readers as well as older ones will find so much here that is wise as well as continuously witty – when was the last time a book about children’s literature, including the footnotes, made you laugh aloud quite so often? Very well informed as well as infectiously enthusiastic, this truly is a book to treasure.
Pam Dix, Chair Ibby UK Concern about guns and the appalling death rate amongst young black males in the States has been explored in several recent books, but I have been haunted by images from Long Way Down. The concept behind the book is extraordinary (a spoiler alert to share) and works extremely well with the verse novel structure. Reynolds’s evocation of grief engages the reader viscerally and his writing is fresh and original. It’s a brilliant book. A quick mention too of Ghost Boys, on the same subject, by Jewell Parker Rhodes. She develops a historical context with the very powerful image of all the dead African-American boys from Emmett Till in 1955 onwards coming back to ‘bear witness’. I am thrilled to see one of her books published in the UK, she deserves to be better known. On a lighter and brighter note, Candy Gourlay’s first picture book Is it a Mermaid? has been a highlight this year and has had many joyous readings as we have shared it endlessly with a new baby in the family. The story is set in the Philippines and is beautifully illustrated by Francesca Chessa who captures the light and joy of beach life so perfectly. The story is full of humorous touches and has two captivating children whose personalities shine through the very simple language.
Fen Coles, Letterbox Library 2018 has brought us fantastic new characters who leapfrog over gender stereotypes with panache. First we had the blazing, swishy parade of colour that is Julian Is a Mermaid. Then, toddler boardbook heroes, Child’s Play, had Clive play out different jobs for size (Clive Is… A Nurse/Teacher/Librarian/Waiter) and he is now joined by Rosa, a bold and highly self-sufficient girl (Rosa Plays Ball/Loves Cars/Loves Dinosaurs/Rides Her Scooter). On the fiction side, we had an absolute comic tour-de-force in ‘our’ Little Rebels Award winner, The Muslims. Perfectly pitched to ‘middle grade’ readers and a bestseller for us this year. Expect to see Omar in his own series soon… Finally, our other summer bestseller came from the queen of middle grade historical fiction in the UK – Catherine Johnson. In Freedom, she gifts us, yet again, a story full of pace, pulse, excitement and rich characterisations. It’s been a very fine year!
Ferelith Hordon, editor Books for Keeps I have two books of the year, very different but both share a theme; a journey both literal and metaphorical. Moth by Isabel Thomas illustrated by Daniel Egnéus is a stunning visual experience. The narrative is simple – the life and evolution of the Peppered Moth. It is not a fictional story but it is shows that facts can also inspire the imagination. This is how information can really excite. Magical. As magical is The Colour of the Sun by the great David Almond. Here perfect prose creates atmosphere and the reader follows Davie as he journeys through the community moving from boyhood to the threshold of adulthood. There may be magic in the air, but it is rooted in a real landscape – the reader can feel the heat of the sun, smell the gorse hear the popping of the seed pods.
Jake Hope, reading development and children’s book consultant. A standout new voice this year is Onjali Q Rauf with The Boy at the Back of the Class. Ideas of different cultures and experiences are contrasted against similar outlooks on life and feelings of care and nurture. The story is satisfying and the child perspective achieves warmth and wit in equal measure whilst telling a timely tale about conflict and refuge. Lita Judge’s Mary’s Monster is a deeply impressive story that captures and conveys creation on multiple levels. Told seamlessly through spare verse and powerful, atmospheric illustration, it perfectly evokes the Gothic origins of Mary Shelley and Frankenstein and is a book that leaves a lasting impression.
Sue McGonigle, Lovemybooks For anyone over three, How to be a Lion by Ed Vere is a wonderful picture book about a gentle poetic lion criticised for his lack of ferocity. With a feathered friend he stands up to his critics choosing powerful words rather than blows. A modern fable challenging conformity and
4 Books for Keeps No.233 November 2018
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