This page contains a Flash digital edition of a book.
MARCH 27


5:00pm– 9:00pm Tom Tracy’s Art At Sedia, Sedia, Inc., 535 Albany Street 3rd Floor Boston,MA 02118 RSVP: Info@sedia.com Sedia.com


A night showcasing the eclectic art of artist Tom Tracy paired with Sedia's modern furniture. Tom's style is unique and diversified and has evolved through many years of striving to develop a style that is his own. Tom and his wifeMarilyn had a gallery in Rockport for 20 years and also served as Director of Art for the Winchester,Massachusetts Public Schools.


5:00pm– 7:00pm


Spring Into Fashion, NeimanMarcus, First FloorGift Department, 5 Copley Place,Boston,MA02116 RSVP:AnnetteGoubeaux 617.585.6007 or boston@neimanmarcus.com Neimanmarcus.com


Noted interior designer Gerald Pomeroy and world- renowned retailer NeimanMarcus partner together for an evening to celebrate the relationship between fashion and interior design. Highlights of the evening will include informal modeling show- casing the latest in spring fashion, the unveiling of Mr. Pomeroy's custom-designed pop-up model room re-imagined and redesigned for the season, as well as a presentation by Gerald on the connection between fashion and design culminating with a champagne reception.


5:00pmReception&6:00pmProgram


Discussing DesignWithout Losing YourMind With AdamConnor ofMad*Pow, Special Program at AD20/21, Co-Sponsored byDesignMuseumBoston andAIGABoston, at The Cyclorama, Boston Center for the Arts, 539 Tremont Street, Boston,MA 02116 AD2021.com RSVP:https://discussingdesignad2021.eventbrite.com


Collaboration requires us to share ourwork; to communicate our ideaswith one another and to collect other’s thoughts in order to knowwhether the designs and creationswe’re producing aremeeting the objectives of the project.But oftenwewrestlewith col- lecting feedback.We get comments that are less than helpful because they seemirrelevant or unclear.Orwe find thatwe’re getting feedback and re- actions at inopportune times rather than points in the processwhere theywould have been useful in informing design decisions. Complimentary admission.


92


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112