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WEEKLYPRESS.COM •
UCREVIEW.COM • FEBRUARY 4, 2015 T
he Divorcees Club”, a hit comedy in France for the past ten years,
is in its U.S. premiere at the Penn’s Landing Playhouse, the saucy tale of three differ- ent divorced women shar- ing an apartment and de-
termined to find the perfect man. Alil Vender’s gender- bender stars Stephen Croce, Aileen Goldberg, and Kellie Cooper through March 22. Inside the Independence Seaport Museum, 211 S. Co- lumbus Blvd. 855-448-1469
or
thedivorceesclub.com • A different kind of gender bending is UPenn’s Mask and Wig Club’s 127th annu- al production, “A Comedy of Terrors” now through April 10, “a world of super- natural silliness exploring the paranormal, complete with a haunted house and a ghost-busting kick- line”. Mask and Wig Club- house, 310 S. Quince. 215- 716-7378 for tickets and in- formation on the Feb. 7 and 21 dinner shows. tickets@
maskandwig.com ›
Three new shows are
running simultaneously at the Philadelphia Art Alli- ance. The trio of exhibitions includes Delainey Barclay: Paper and String; Kate Cle- ments: Charade; and Robin Weatherly: Trace. 251 S. 18th St. 215-545-4302 or philartal-
liance.org ›
Inis Nua Theatre presents Present Through A Lens Darkly:
Black Photographers and the Emergence of a People
A film screening
and discussion with Film Director
Thomas A. Harris and Co-Producer
Dr. Deborah Willis
Inspired by Deborah Willis’s book Reflections in Black and featuring works by Carrie Mae Weems, Lorna Simpson, Anthony Barboza, Hank Willis Thomas, Coco Fusco, Lyle Ashton Harris, and many others, Through a Lens Darkly embraces the historical material of African-Americans who were slaves, who fought in the Civil War, were victims of lynch- ings, or were pivotal in the Civil Rights Movement. The film is a cornucopia of Americana that reveals deeply dis- turbing truths about the history of race relations while expressing joy- ous, life-affirming sentiments about the ability of artists and amateurs alike to assert their identity through the photographic lens.
Monday, February 9, 2015 • 6:00 pm h
Annenberg School for Communication 3620 Walnut Street • Room 109
Co-sponsored with the Annenberg School for Communication FREE and OPEN to the Public
For more information,
contact the Center for Africana Studies at 215-898-4965 or
africana@sas.upenn.edu
If you require reasonable accommodations, please provide at least 5 days notice.
the American premiere of David Leddy’s “Long Live the Little Knife”, an “ab- surdist take on the double cross”, deemed by The Guardian a “hugely enjoy- able romp”. Corinna Burns and Ted Dugan star as wife/ husband con artists under Tom Reing’s direction. Feb. 4 through 22 at the Off Broad St. Theater, 1636 San- som. 215-454-9776. › Franz Kafka’s “The Metamorphosis” in Steven Berkoff’s adaptation is next for Quintessence Theatre Group from Feb. 4 through March 1 featuring Kristen Bailey, Alan Brincks, Julia Frey, Douglas Hara, Anita Holland, Gracie Martin and Lee Minora, staged by Rebecca Wright. Who can forget this haunting centu- ry-old tale of Gregor Samsa transformed overnight into a gigantic insect? Feb. 4 is a Pay What You Can Pre- view. Sedgwick Theater, 7137 Germantown Ave. in Mt. Airy. 215-987-4450 for tickets and information on Elemental Recitation Series readings of other Kafka works on Feb. 16 or 23, or QuintessenceTheatre. org ›
Pennsylvania Ballet soloist Alexander Peters dances the title role in Balanchine’s “The Prodigal Son” as the company continues its 51st Anniversary Season Feb. 5 - 8 at the Merriam Theatre including works by Christopher Wheeldon and Matthew Neenan. Photo credit: Alexander Iziliaev
The dynamic Pennsylva- nia Ballet under new Artis- tic Director Angel Corella, one of the world’s greatest ballet stars himself, contin- ues their 51st Anniversary Season for five performanc- es from Feb. 5 through 8
including two matinees. This powerhouse triple bill includes Balanchine’s riveting biblical tale “The Prodigal Son” set to Pro- kofiev’s score, Christopher
Wheeldon’s “Polyphonia” continued on page 9
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