TICKETS AND PASSES TICKETS AND PASSES 640
CORNWALL/DEVON, Tamar Valley Minerals Ltd, a copper matrix, legend, 41mm, 63.86g. Extremely fine
£40-60 Tamar Valley Minerals Ltd was dissolved in 1968 646 641
CUMBERLAND, Whitehaven, Whitehaven Colliery, Sir John Lowther, copper (3), shield, revs. cypher, all 25mm, 5.83g/12h, 5.73g/12h, 5.73g/12h (Finlay 12; D &W296/54) [3]. One very fine, others extremely fine with considerable original colour
£100-150 One only illustrated
LONDON, Covent Garden, New Theatre, 1809 (5), all brass, B[ox] P[rince’s] S[ide], 35mm, 11.65g (D &W13/134); P[it on] K[ing’s] S[ide], 29mm, 9.04g (D &W13/141); P[it] P [rince’s] S[ide], 29mm, 8.44g/5h (D & W 13/144); FIRST G [allery] K[ing’s] S[ide], 34mm, 13.68g (D & W 14/152); FIRST G[allery] P[rince’s] S[ide], 29mm, 9.59g (D & W 14/157); together with uniface copper tickets (2), BOX, 33mm, 10.19g (D &W40/416), GALLY., 34mm, 10.41g (D &W41/439) [7]. Fine to very fine, last rare
£150-200 Last only illustrated
642
DEVON, Plymouth, Peter Oyens, brass, legend in 7 lines, rev. crowned GR monogram, 30mm, 6.04g/6h (Young 125 var.; D &W341/7). Some staining and spotting, otherwise about extremely fine, rare
£60-80
Peter Oyens (b.1750), watchmaker, Plymouth Dock, declared bankrupt 1797, son of Peter Oyens (1714-87), clockmaker, Wapping, London, declared bankrupt 1778
647
LONDON, Drury Lane, Theatre Royal, copper, bust of Charles II left, rev. VPPER GALLERIE 1671, 26mm, 8.08g/6h (D & W 18/194; MG 8-9). About fine, rare
£60-80
643
Co DURHAM, Gateshead, Boundary tokens (6), 1824 copper, 14.89g/12h (D & W 302/18; MG 909-10); 1849 copper, 15.47g/12h (D & W 302/22; cf. MG 906); 1857 (4), Mayor’s issue (2), silver, 15.19g/12h, copper, 14.56g/12h (D & W 302/24, 302/25; MG 908), Overseers’ issue (2), both copper, 14.66g/12h, 14.21g/12h (D & W 302/26; MG 911); SUSSEX, Chichester, Boxing, the Tom Spring/John Langan Contest, 1824, white metal, 23mm, 4.69g/3h (MG 1157; cf. DNW T7, 588) [7]. Second extremely fine, sixth virtually as struck, others very fine but last scratched, silver toned
£120-150 D & W 302/25 only illustrated 644
Co DURHAM, Gateshead, Boundary token, 1849, copper, 15.12g/12h (D & W 302/22; cf. MG 906); NORTHUMBERLAND,
Hareshaw Common,
Boundary token, 1836, copper, 19.88g/12h (D &W303/30; MG 913-14) [2]. First extremely fine, second very fine
£40-60 645
GLOUCESTERSHIRE, Bristol, Bristol Public Free Libraries, oval brass, stamped 164A, 44 x 32mm (D & W 300/7); together with other miscellaneous tickets, checks, medals, etc (29, one silver), including Calvert & Co Brewery (several), Royal Colosseum, Lisdourt, Birmingham, etc [30]. First extremely fine, others generally very fine, some better
£150-200 Additional illustrations may be found on our web site 649
LONDON, Strand, Lyceum, Theatre Royal, English Opera House, uniface white metal, 2 BOX, 43mm, 14.82g (D & W –; Mitchiner 5716-17; Noble II, 704). Fine, rare
£50-70
Provenance: T.K. Mackenzie Collection, Glendining Auction, 11-12 April 1922, lot 338 (part); F.S. Cokayne Collection
www.dnw.co.uk
648
LONDON, Haymarket, Her Majesty’s Theatre, a pair of ivory tickets, 1860, named (William Pain, Box 24, 1; Alice Pain, Box 24, 2), both 35mm, 6.34g, 5.90g (D & W 30/324ff; MG 134-6) [2]. Very fine and very rare as a pair; with original dark blue ribands
£350-450
One side of each illustrated. It is thought the recipient, William Pain (1836/7-1903), was the same individual who, with Charles Lee (1803/4-80) and his son, Charles Williams Lee (†1901), were the three principals in Lee, Sons & Pain, architects, incorporated 1867, who designed the new Her Majesty’s Theatre, constructed in 1868 at a cost of £50,000 following the destruction of the second version of the theatre in a fire on 6 December 1867
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