This page contains a Flash digital edition of a book.
114 GUIDE - THEATRICAL LIGHTING


GRIVEN | STAGE EDITION SERIES www.griven.com


Designed to withstand demanding stage, set and touring applications, the Stage Edition Series offers a wide selection of versatile LED- based lighting fixtures purposely designed for theatrical and rental distributors, exhibition houses, theatres, nightclubs and live show venues. Powershine MK2 S SE and Diamond SE are just two units out of a comprehensive range of high output colour changers, white or dynamic white powerful floodlights that are capable of delivering an extraordinary performance from relatively compact fixtures. These models are available with extremely narrow optics, as well as medium, elliptical and extra wide photometric distributions up to 80° aperture which are obtainable from an exchangeable filter selection. Adjusting the inclination of the beam spread has never been so easy with the newly conceived articulated fixing system that can also offer an instantaneous and steady positioning on the floor or truss arrangement. The plug ‘n’ play configuration includes in and out DMX connectors, onboard control panel and IP65 protection rating for hassle free installations. Eco-friendly and cost saving, these professional LED lighting solutions incorporate the very latest energy efficient solid state technology and feature a versatile and high profile equipment for the widest range of applications.


LDR | CANTO 2000 MSR FF www.ldr.it


The Canto 2000 MSR FF is the latest addition to the Canto followspot line produced by LDR. Canto 2000 MSR FF is one of the most compact 2kW followspots available on the market and it harnesses the power and flexibility of the Philips 2000msr FastFit lamps with LDR’s advanced optics and mechanics. The result is a new concept, efficient, lightweight and extremely powerful followspot, ideal for all long- throw applications. Canto 2000 MSR FF features the patented FastFit rear load lamp base system, which enables easy lamp replacement in difficult stage conditions. The MSR filling of the lamp guarantees pure, white light, whereas the short arc provides high beam intensity for professional entertainment lighting.


MARTIN PROFESSIONAL | MAC VIPER WASH / DX www.martin.com


The MAC Viper Wash and MAC Viper Wash DX with internal framing, are full-range wash luminaires capable of performing at the high level you would expect from a professional wash light. The Wash DX houses a unique internal framing system that enables designers to shape and control light projection onto stages, performers, scenery, scrims or any set element with great precision. The internal framing system makes it a highly capable, automated substitute for a conventional daylight fresnel fixture. Both luminaires use the same 1,000W HID source as the other members of the MAC Viper family. At 33,000 lumens of output, both the Viper Wash and Viper Wash DX are brighter than larger and more power-demanding 1,500W fixtures. Both house a CMY colour mixing system capable of producing a superior palette of vibrant colours with excellent colour stability across the entire beam. A linear CTO gives daylight to tungsten CCT control and expansion of the CMY palette. Both the MAC Viper Wash and Wash DX house a continuous, fast and fully linear zoom with a flexible 13.5º to 59º range.


MUSIC & LIGHTS | EVO190E www.music-lights.se


EVO190E is the first profiler from Music & Lights with LED light source capable of replacing traditional profilers equipped with 750W HPL lamps. Available in tungsten (3,100K) and daylight (5,600K) versions, EVO190E aims to offer an amazing light output and an excellent fram- ing property with a low-consumption LED source. Light source is generated by an array of 19 10W LEDs, guaranteeing a highly uniform projection calibrated at same colour temperature. The design of EVO190E makes it a perfect fit for studio applications, theatres, events, architectural and in environments with limited power supplies.


www.mondodr.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124