This page contains a Flash digital edition of a book.
Charts Change Chart Type


To switch from one chart type (bar chart, candlesticks chart, line chart etc.), to another, you can click Menu Bar>View and you will be able to switch to: Bar chart‐ represent each period with a vertical line that indicates the highest price


with its top, and the bottom represents the lowest price. The closing price is displayed on the right side of the bar, and the opening price is shown on the left side of the bar.


HLC chart‐ HLC (high, low, and close) bars intuitively represent the price action for


the chosen period. The vertical bar indicates the range of the high‐low for the day. A tick to the right represents the close price.


High Low chart‐ The chart is created by simple vertical bars representing the high


and low of the period by the ends of the bar. Candlestick chart‐ The most common chart type represents complex market action


during the period visualized by a candle. Shadows of the candle represent high and low. The body of the candle gives opening and closing levels. If period was negative the opening level is at the upper side of the body and closing is the bottom of the candle body. Reverse is true for period ended positive, as price at the close is higher than at the open.


Line chart‐ This is a line usually connecting the closing level of each period. Candlevolume chart‐ Candle volume charts are a unique hybrid of Equivolume and


candlestick charts. Candlevolume charts possess the shadows and body characteristics of candlestick charts, plus the volume width attribute of Equivolume charts.


The combination gives the unique ability to study candlestick patterns in combination with their volume related movements. The shape of each Equivolume box provides a picture of the supply and demand for the security during a specific trading period.


Copyright © Riflexo Jsc. 2011


53


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116