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The beach is a great
nullnochronull location nullthe
shot above nullde a cover for
the nullganullne last year.
dogs by breed here instead, as it
works better on our pagesnullnulle
part of each shot you can not
see is the handler or owner null
the ballnullhrowing, noisenullaking,
commands, attentionnulletting
and stage direction of the dogs
are all worked out between Paul
and the client who is always
presentnull
nulls postnullrocessing is simple,
with normal colour images or nullovenullchocolate Labrador pair appropriate toned in a chocolate sepia tint.
a sepia monochrome treatment nulllonull an nullalian Spinone dog that had nullerfected the art of selective hearing, running in every
most commonnullnullubtle colour direction inullginablenull. null rained during the shoot, nulltting the sand and creating the renullction. nullhe dog
palette can also be used as hurtled tonullrds null after tenullting it nullth a biscuitnull says Paul.
in the opening image of this
article, to suit the dog’s colournull
null strinull to renullct the uninulle
characteristics of a particular
dog or breednull says Paulnullnullor
those disobedient dogs that are
masters at demonstrating selecnull
tinull hearing, the nullriety of imnull
ages presented to the client will
often be more nullirky in nature
rather than formal portraitsnull
nullat approach has clearly
paid off with images that can
be fun or almost frightening in
the eye contact achienulld with
hyperactinull animalsnull
Paul does not only photonull
graph dogs nullhe’s taken the
nullottish region MPA nulldernulls
award, and in 2nullnull Most Promnull
ising nullntemporary Portraitnull
Prophetically, the region
nulldged him both onullrall and
nullost Promising’ nullottish
Master Photographer of the nullear
in 2nullnullnullnot long before he
submitted his panel and became
one of only a few nullPAs in
nullotland, and the only current
nullllow in pet photographynull
– null
Ì
nullenull
www.nullawsnullnulltnullnullotognullanullnullnull.co.uk
www.nullulwalknullimagnull.co.uk
MASTER PHOTOGRAPHY 32
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