teCH


and start turning them into a finished track. For the live session we used a standard SM58 dynamic mic together with a reflexion filter to cut down on ambient noise from the speakers, but afterwards we re-recorded the vocals using a better quality condenser mic together with headphones. Viv had some new harmonies and a bridge section that she was keen to add as well. I decided to record these new vocals directly into the arrange page of Live as I generally feel more comfortable recording in the traditional linear way. When it came to arranging however, I realised I could make use of Live 9’s fantastic new ‘Consoli- date Time to New Scene’ feature which allows you to grab whole sections of the arrangement and place


BASS IN YOUR FACE!


Ski is also giving away the bass sound he created in this video, simply click here to get access to the .rar file and acquire your very own Ski Oakenfull- produced bass sound created using Ableton’s Push controller.


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them back into Session view. You can then build up the arrangement using Scenes, and ‘Jam’ the structure back into the Arrange page.


After building a basic arrangement, the next stage is to start getting deeper into the production, which might well make up the next part of this


video series!


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