6 l December 2013
www.psneurope.com
reviewoftheyear Storm and the studio
From the restructuring of one of London’s leading studio operators, to the further strengthening-by-acquisition of proaudio’s most powerful player, 2013 has hardly been a year lacking incident. David Davies takes a themed look back at some of the defining moments
MERGERS, ACQUISITIONS… AND MORE
Nearly five years after the all- consuming Downturn, the European economy remains becalmed at best, so it was surely inevitable that the recent pattern of consolidation would continue this year. Even so, 2013 was particularly eventful for changes at a corporate level, with the recording studio and post sectors among those evincing further signs of upheaval. London’s network of major
recording spaces has shrunk considerably in recent years, so June’s news that one of the capital’s biggest beasts, Metropolis, was to embark upon a process of restructuring couldn’t help but prompt anxiety in some quarters. But having transferred its assets to holding company Metropolis London Music and secured the support of three new investors, the studio complex has emerged newly re-emboldened. “It was a watershed moment
for us, and obviously it’s not something that you enter into lightly,” reflects Gerry Gallacher, marketing director at Metropolis. “But although we are still working through the administration process, it has enabled us to refocus the business – particularly with regard to the studios and mastering – and drive it forward.” A renewed emphasis on US clients has resulted in an uptake of business originating Stateside, while Gallacher is also enthusiastic about the potential
The Great Oak Stage stood firm for Capital Sound and the debut of the Martin Audio MLA in London’s Hyde Park this summer. But in other tree-related news...
business forward” Gerry Gallacher, Metropolis
of Metropolis’s expanded events programme, the new Bunker screening facility, and an eponymously-titled record label. The flourishing of new post facilities has been one of the real success stories of the studio
Restructured but still in tune: Metropolis
world during recent years. The pattern continued in 2013, although not without some turbulence. In August, BBC in- house paper Ariel reported that BBC Studios and Post Production (S&PP) was to leave its post facility in Charlotte Street, central London, in January, only a year after it took up residence. Meanwhile, it was practical considerations – namely the upcoming loss of a lease on long-standing premises in Dean Street – that encouraged Jungle Post to refocus on its audio roots at its other premises in Wardour Street. Elsewhere in the industry, some star players further consolidated their market share through acquisition. Underlining its continued diversification into
BRANCHING OUT IN SHOREDITCH
Strongroom Studios was struck a blow in the early hours of 28 October: the high winds that battered the UK uprooted the eucalyptus tree, planted 30 years ago by managing director Richard Boote’s own hand. “It has afforded Strongroom protection from the
the education market, September saw music production specialist PreSonus purchase the assets of music notation software developer Notion Music. A few weeks later, MediorNet developer Riedel asserted the scope of its influence in the networking domain by acquiring mobile streaming company Code One – a move that gave Riedel a
eyes of the neighbours for three decades and will be much missed,” said studio manager Phil Sisson. “We may use some of the timber to create a sculpture or perhaps a bench, so any would-be
woodworkers are invited to submit their proposals!”
portfolio of WAN-focused solutions, as well as technology for distributing video, audio and data via mobile networks. A little over five years since
it was acquired by D&M Holdings, Cornwall-based audio mixing manufacturer Allen & Heath changed hands once again mid-year, this time to private equity firm Electra
“[The restructure] was a watershed moment for us, and obviously it’s not something that you enter into lightly… but it has enabled us to refocus and drive the
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60