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48Music Week 05.10.12 F
Incorporating fono, MBI, Future Hits, Green Sheet, Hit Music, Promo, Record Mirror and Tours Report
INTO THE GALLOWS The story of hardcore punk band Gallows is one of endurance and friendship over adversity – with their critically-acclaimed, eponymously titled third record recently hitting the charts. The LP was self-released on the band’s Venn label, in a JV with PIAS. Team Gallows 2012 turned out for our snappers at a recent London album launch party. [L-R] Joe Edwards (PIAS International), Tim Hall (PIAS product manager), Steph Carter (Gallows), Peter Thompson (MD PIAS), Clare Maxwell (Raw Power Management), Stuart Gili- Ross (Gallows), Lags Barnard (Gallows), Ben Husted (Raw Power Management), Charles FitzGerald (PIAS).
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TRIBAL BELIEF Takeovers, mergers, blah blah blah. Let’s not forget that Sony/ATV hasn’t stopped doing it what it does best. Here’s a pic of consultant Kenny McGoff (and new boss Guy Moot) with new signings, the hotly-tipped The Other Tribe. The deal completes a trio of recent signings for McGoff, following No.1 act Rudimental and Virgin Records artist
A.Dot.
FABLED LABELS
415 RECORDS Founded 1978
Key artists Romeo Void, The Offs, The Mutants
415 Records was born in San Francisco in 1978 as a joint venture between Howie Klein, Chris Knab, and Butch Bridges. It was the one of the first North American record labels to focus on punk
and new wave music. Early artists included The Offs, The Nuns, The Units, Romeo Void (pictured), and Wire Train. Their first release was a 1978 single by
the The Offs, entitled Everyone’s A Bigot. Subsequent early releases included seven- inch EPs by SVT, The Nuns and Pearl Harbor and the Explosions. Later records included a seven-inch by
The Mutants, an album by The Units, a 12- inch 33⅓ RPM album by Romeo Void and a mini-album by New Math.
In 1981, 415 signed a co-branding contract with Columbia Records that
gave Columbia first rights of refusal to produce, manufacture, and promote their artists’ recordings. The contract ended in 1989 and three months later, Sandy Pearlman
bought 415 Records. Pearlman changed the record label’s name to Popular Metaphysics and formed a co-branding alliance with MCA, ending the 415 label.
Did you know? Grammy award-winning producer David Kahne worked as 415’s A&R director until 1982, when he went to work in Los Angeles as vice president of A&R for Columbia Records.
FRANK OCEAN VS THE WEEKND 20m 0.5m 100k SOCIAL STANDING 200k 400k
Official fan pages go head-to-head
Pitbu l – 1 ,,,6 117,711 itbull – 16,117,711l
Prof. Green– 1,383,573 Wretch 32 – 134,771 300k
Frank Ocean – 747,412 The
ank O ean – 747,412 heWeek
eeknd – 497,92 500k
925 600k
Frrank O ean – 1,611,115 The Week
F ank Ocean – 1,611,115 he
eeknd – 679,362 1m
Frank Ocean – 17,944,164 The Week
he 40m 60m
ean – 17,944,164 eeknd – 75,483,930
80m 100m 1.5m 2m VIEWS VIEWS 700k 800k FOLLOWERS © Intent Media 2012
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