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EDITORIAL
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I was fascinated with two reports on new materials recently. Presenters on TED Talks have brought forward materials that appear to defy common sense. One was a super hydrophobic material that repels water to a fascinating degree, (
http://www.ted.com/ talks/
mark_shaw_one_very_dry_demo.html),the other was a scientist, Catarina Mota, who spoke of her new website “Open Materials”,
www.openmaterials.org. Materials that can turn a window opaque, plastics that can change shape, pigments that change color, or jelly that makes music … all of these materials can be produced by virtually anyone. This got me thinking about what role application of such new materials can play in sculpture. New opportunities are offered by using these materials, perhaps producing startling new concepts and ideas. Please take the time to look at these presentations and think on the possibilities. If you are working with any of these ideas I would like to hear from you.
As sculptors, we are in extraordinary times. We can communicate instantaneously around the world, exchanging sculptural ideas (hence this online magazine circulating internationally). Websites can behave as portfolios, introducing clients to detailed aspects of our work and our lives. We can send designs via email or Dropbox or a variety of other means to speed along our communications with clients and colleagues. The downside is the amount of noise on the internet. We must use strategies to those clients in order to get their attention.
that might work for you. By assembling a subscriber base that keenly focuses on potential buyers of sculpture, monumental size to indoor sculpture, we can act as a vehicle for your work. Please see placed by myself which will introduce my work to new clients who may be looking for sculptural work list that includes developers, architects, interior And of course subscribers who are sculptors are not forgotten. We wish to introduce your colleagues to you through our articles.
following editions. It is the aim of our magazine to pollination of sculptural ideas in our footprint is of great concern to us. Please enjoy this issue, and I look forward to hearing from you.
Senior Editor / Founder
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