< potato person


! 27 Clay retains the


incredible simplicity of modeling by the human  solidity for eternity.


< Stan Bitters with Haniwa


Whether it was a pot, plate, tile, mural, or  boldness or textural quality, and an earthy relatedness to where it would be located. While  1950’s and early 1960’s, artists were exploring a vast new terrain of ideas and possibilities for the future. After studying at Otis Art Institute in L.A.,  1958) was to start a ceramics department at the  brick. It just happened they had 20 tons of clay left over from a project. At his disposal, his task was to create a viable new product. He got to


experiment and play, to discover the nature of the material that was to become his life’s 


 immerse himself completely and on a huge environmental architectural scale. Where did the   simplicity of modeling by the human hand that


S


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