This page contains a Flash digital edition of a book.
Thinking about getting a tattoo? style


// Getting a tattoo is a serious decision, after all, not only is the ink going to be with you for the rest of your life, but it could also affect you for the rest of your life if the proper rules and regs aren’t followed.


This is a basic guide for what to look for when choosing a studio and a tattoo artist. Included are precautions meant to help prevent cross-contamination of blood-borne diseases from one client to the next.


Any studio you select should abide by these basic rules for your safety:


• Always insist on clean and sterile equipment. Only ultrasonically cleaned and freshly sterilized instruments should be used for tattooing. Ultrasonic units use ultrasonic waves to disintegrate ink debris, blood and plasma off tattoo instruments, ensuring superior uniform cleaning. The only acceptable means of sterilization is by an autoclave. The autoclave should be spore tested, at least, monthly to ensure that it is functioning properly. Any reputable studio should have no problem producing these test records upon request.


• Needles should be single-use only. Make sure your tattooist removes new needles and tubes from sealed autoclave bags in front of you. Autoclave bags have colour indicators to show that they have been sterilized in an autoclave


• Be certain that your tattooist pours fresh ink into new disposable ink caps. Under NO circumstances should ink that has been poured out or used, be poured back into ink bottles.


• All tattooists should wash their hands and put on a new pair of gloves when starting a tattoo. Make sure that any item that may be touched during the tattoo process is covered by plastic or barrier film, to avoid cross contamination. Cross contamination is the act of spreading potential pathogenic (disease- causing) organisms from one item or surface to another. Even if a tattooist has on new gloves but touches a cross contamination item or surface, you are then in danger of those pathogens being transferred to your freshly broken skin. The best way to prevent


cross contamination from one client to the next is by covering all surfaces that a tattooist might touch during the tattoo process with disposable plastic or barrier film. Items that should be covered include spray bottles, clip cords, lamps, knobs on power supplies and chair adjustments.


• Your tattooist should be clean in appearance and sober. The furnishings in a studio should also be clean and orderly in appearance. All containers, work stations, and floors should be made of hard non-porous materials so they can be cleaned with a hard surface


disinfectant.


• Never, ever let a non-professional attempt a tattoo and never use a tattoo kit from the internet to do your own.


If for any reason you feel uncomfortable or if a tattooist appears evasive when questioned - go elsewhere! This information is from www.uktattoostudios.co.uk


40 /wearevoice.co.uk /MaY.2012


voiceMaGaZiNe


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124