American Necropolis # 4
They keep the blues here in a strongbox. In the conventioneers’ memories, all the music is piped in. Local Sporting Events: When the underground canals freeze, the dead play hockey. The puck moves from stick to stick, dances between frozen cattails and sedges, and ramps over ice ridges caught in the sudden pre-winter freeze, which oddly here rises from the south. It’s the dead’s favorite season. Along the banks, residents gather to hear their shouts. Stay in the cold long enough, and the city’s old-timers will regale you with tales of five-minute majors and game misconducts claimed by the dead of the past. “You haven’t seen anything,” they say, “until you’ve seen two six-foot-six dead men wrestle on ice skates. They move with a grace that the living refuse to accommodate.” Cemeteries and Death Culture: The things that are worshipped here are crafted from local metals. The rich are sealed in metal tombs; aluminum remains a sign of money, the detritus of a life lived off the assembly line. Poorer citizens have taken to constructing metallic collages above family graves. Small intricate pieces of metal have refashioned the dead here. Remnants of fenders, radio dials, and fans twisted and dotted into unfinished memorials, public grief. It’s a grief that’s caused many former residents to complain that the dead have become immodest in this city; “their immodesty has become a source of public shame,” one senator argues, sucking water from a metal canteen.
©2012 Garin Cycholl
Garin Cychollʼs recent work includes an adapted screenplay of Cyrusʼ Colterʼs The Hippodrome and The Bonegatherer (Moria Books, 2011), a book-length poem that rethinks the history of Chicagoʼs West Side through the Cook County Hospital Emergency Room. Since 2002, he has been a member of the Jimmy Wynn fiction collaborative.
PoetsArtists Chicago Issue 2012 ~
www.poetsandartists.com
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