This page contains a Flash digital edition of a book.
Paraíso 10 minutes n


2012 n


Thursday 9:30p n Sunday 12:30p n


USA n


In Competition


Friday 3:30p n Monday 3:30p


Plays with The Waiting Room (p41) Director: Nadav Kurtz n


Saturday 10:00a


Pipe Dreams 39 minutes n


2011 n Thursday 6:20p n


USA n


In Competition Friday 9:20p n Saturday 3:20p n Producers: Stephanie Hain, Jose Rivas n


Kurtz, Chris Markos, Andrew Wehde n Editors: Tony Gannon, Nadav Kurtz n Cruz Guzman, Jaime Polanco, Sergio Polanco n facebook.com/pages/Paraíso


Cinematographers: Nadav Principal Cast:


Three Mexican immigrants risk their lives every day rappelling down the skyscrapers of Chicago washing windows. We are privileged to observe the intimacy and connection of their conversations, revealing thoughts about working, mortality and of the people they observe inside the high-rises they clean in this lyrical film. [subtitles]


Nadav Kurtz Director’s Statement


One day, working as a film editor in a high- rise downtown, I saw a window washer drop down inches away from me, clean a window and disappear. It seemed a perfect metaphor for the parallel lives people of different cultures can inhabit in one city, sometimes separated only by a dividing line as thin as the glass between us.


As I began shooting this short documentary, I became more interested in the window washers’ point of view. What did they think of the people inside the buildings they cleaned? How did they deal with the danger of dangling sixty stories in the air every working day? Often, the discussions went deeper, as they probed each other further, ultimately leading into questions of faith and spirituality.


Selected Filmography: Directorial Debut


Plays in Short Docs (p18) Director/Cinematographer/Editor: Leslie Iwerks n Luebbe, Teri Taylor, Ken Winston n pipedreamsdoc.com


Narrator: Darryl Hannah n Sunday 3:20p Producers: Leslie Iwerks, Jane Kosek n Principal Cast: Lillian Anderson, Senator Tony Fulton, Susan


Across the heartland of America, farmers and landowners are fighting to protect their land, their water, and their livelihood in what has become the most controversial environmental battle in the U.S. today: the Keystone XL Pipeline. Routed from Hardisty, Alberta to the Texas Gulf Coast, this tar sands pipeline is set to cross the country’s largest freshwater resource, the Ogallala Aquifer, and the fragile Sandhills of Nebraska, posing devastating consequences to human health, livestock, and agriculture.


Farmers whose families have worked the land for generations realize the potential personal and environmental disaster they face from the pipeline. They devote their lives, individually and collectively to stopping the project from proceeding. Kitchens become planning rooms for an effort to bring their story to their Nebraska neighbors and the world.


Leslie Iwerks Director’s Statement


The Keystone XL Pipeline is the symbol and lightning rod for our environmental future… We are all affected by this decision that big oil lobbyists are making FOR us without our choice: the continued reliance on the dirtiest fossil fuels that will affect our planet and our kids for generations to come. It’s about greed and money for the 1% at the expense of our own environment and American citizens.


Tar Sands extraction produces 3 times more greenhouse gas than conventional oil, uses 3 barrels of fresh water per one barrel of oil, and is destroying pristine boreal forest the size of Florida in Alberta. It is important to create as much awareness about the negative impacts of this as much as possible. Have your friends write letters to the President, your congressman. Blog, tweet, Facebook all that you can about this issue. Take action, any action, every bit helps!


Selected Filmography: Dirty Oil, Downstream, The Pixar Story, Recycled Life (2007 AIFF)


35


documentaries


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90