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Kirche Leigh Zeile (Costume Designer) New York credits include the world premieres of The Eliots and Bone Portraits (both for Stillpoint Productions), The Last Word… (Theatre at St Clement’s), Monsterface (Irish Arts Center), and Barriers (HERE Arts Center). She is an Affiliated Artist with Clubbed Thumb, for which she designed Demon Baby, Alice the Magnet, Telethon, What Then?, Amazons and Their Men (Off-Broadway), and The Small. Regional credits include St. Ex (world premiere), Death of a Salesman, Rent, and Doubt for the Weston Playhouse; Visiting Mr. Green for Syracuse Stage; Intimate Apparel for Southern Rep; Merchant of Venice for the Pennsylvania Shakespeare Festival; Twelfth Night for Tulane Summer Shakespeare Festival; Chicago, Cabaret, and Carousel for the Sharon Playhouse, among others. She is an Assistant Professor of Costume Design at Marymount Manhattan College and holds an MFA from NYU’s Tisch School of the Arts.
Matt Frey (Lighting Designer) Recent work includes Melissa James Gibson’s This (Center Theatre Group and Playwrights Horizons); Will Eno’s Middletown (Steppenwolf); David Greenspan’s Go Back To Where You Are (Playwrights Horizons); Jordan Harrison’s Futura (Portland Center Stage); Woody Sez (London’s West End); Freefall (Corn Exchange, Dublin); Heidi Schreck’s There Are No More Big Secrets (Rattlestick); Greg Moss’ Orange, Hat & Grace (Soho Rep). Other collaborations: Ridge Theater’s Decasia, The Difficulty of Crossing a Field, Shelter Project, Oedipus, and The Death of Klinghoffer, and Steve Reich and Beryl Korot’s The Cave and Three Tales. Other companies he has collaborated with include Brooklyn Academy of Music, Naked Angels, The New Group, Manhattan Class Company, New York Theatre Workshop, and Paper Mill Playhouse, as well as many other theaters, regional and abroad.
Ryan Rumery (Sound Designer/Original Music) Broadway: Thurgood. Off-Broadway scores: The Submission (MCC); 4000 Miles (LCT3); Urge for Going (The Public); Three Sisters, Orlando, The Forest, Uncle Vanya (CSC); A Bright New Boise (Wild Project); The Emperor Jones (Irish Rep, Lortel nomination); Precious Little (Clubbed Thumb); End Days (Ensemble Studio Theatre). Sound design: Blind (Rattlestick); Neighbors (The Public); Gruesome Playground Injuries, Let Me Down Easy (Second Stage). Regional: Cincinnati Playhouse in the Park, Actors Theatre of Louisville, Center Stage, The Kennedy Center, Long Wharf Theatre, Shakespeare Theatre, Hartford Stage, Westport Country Playhouse, Alley Theatre, Kansas City Rep, La Jolla, Trinity Rep, Geffen Playhouse, and Woolly Mammoth. Film: SyncroNYCity. Dance: The Painted Bird (Palissimo).
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Zoe E. Rotter (Casting) is thrilled to be casting her first play for Two River Theater. Other theater credits: Breakfast at Tiffany’s in London, the new revival of Einstein on the Beach, and the upcoming Wild Swans. Films include X-Men: First Class, BearCity, Did You Hear About the Morgans?, Cold Souls, Notorious, Music and Lyrics, Night at the Museum, and School of Rock.
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Julia P. Jones (Production Stage Manager) has been working as an Actors’ Equity Stage Manager for the last 22 years. Credits include on Broadway: Urinetown: The Musical, The Producers, Hairspray, Sweeney Todd (revival), Disney’s Tarzan: The Musical, Young Frankenstein, The Norman Conquests, A Little Night Music (revival). Tours include: Smokey Joe’s Cafe, The Sound of Music, Fiddler on the Roof. Off-Broadway and regional credits include Urinetown, Pete-n-Keely, Repertory Theatre of St. Louis, Buffalo’s Studio Arena Theatre, and Canadian Stage Company. Greatest accomplishments: Olivia, Cooper & Ruby Jones.
Special Thanks Opera New Jersey, Brian Blaho, Brian Ireland
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