WORLD CINEMA PRESENTED BY HOTEL RENEW
NOMINATED FEATURE DIRECTOR AND CAST IN ATTENDANCE
SIDEWALLS
MEDIANERAS HAWAII PREMIERE SUNDAY, OCT. 16 | 9:15 PM | REGAL DOLE
ARGENTINA, UNITED STATES 2011 | ENGLISH | 88M DIRECTOR: Gustavo Taretto SCREENWRITER: Gustavo Taretto PRODUCERS: Hern An Musalupi, Natacha Cervi CINEMATOGRAPHER: Leandro Martinez CAST: Adri An Navaro, JavierDrolas, Ines Efron, Rafa Fero, Pilar Lopez De Ayala, Carla Peterson
Mariana (Spanish actress Pilar Lopez De Ayala) and Martin (Javier Drolas) are thirtysomethings with a heap of phobias between them. She’s afraid of elevators; he’s terrified of just about everything else. She’s a budding architect eking by as a window dresser; he’s an agoraphobic website designer who rarely has to leave the house, which he pretends suits him just fine. The story follows them as they wander through their separate lives, jobs and foiled attempts at dating, all the while afraid that they’ll never find “the one” who’ll make them feel less lonely. They live in the same neighborhood and even pass each other on the street but something always prevents them from making contact.
Mariana’s and Martin’s voiceovers accompany great still shots of the city’s many buildings – some splendid, some rundown, some just modern horrors. These she loves while he claims they reflect the transitory, restless natures of Buenos Aires’ inhabitants. People’s true natures, she avers, can be gleaned from the sidewalls (medianeras), those bland, windowless building facades not meant to be seen. –Natasha Senjanovic
WE HAVE A POPE
HABEMUS PAPAM UNITED STATES PREMIERE
THURSDAY, OCT. 20 | 8:45 PM | REGAL DOLE FRIDAY, OCT. 21 | 6:45 PM | REGAL DOLE ITALY 2011 | ITALIAN WITH ENGLISH SUBTITLES | 102M
DIRECTOR: Nanni Moretti SCREENWRITER: Nanni Moretti, Francesco Piccolo, Federica Pontremoli PRODUCERS: Nanni Moretti, Jean Labadie, Domenico Procacci CINEMATOGRAPHER: Alessandro Pesci CAST: Nanni Moretti, Michel Piccoli, Renato Scarpa, Jerzy Stuhr
Nanni Moretti, the great Italian satirist, turns his endlessly creative mind to the inner workings of the Vatican in his sparkling and at times sobering new fable, WE HAVE A POPE. The title refers to the election of a new Pope, and Moretti imagines the various backstage machinations entailed in this highly confidential process. The result is a magnificent blend of high-concept humor with a deeply affecting portrait of a man elected to an office that carries crushing responsibilities.
Moretti - whose previous feature, the 2006 major hit IL CAIMANO, took on the media empire of Italian Prime Minister Silvio Berlusconi - has always been able to balance a fine sense of irony and humour with a deep and abiding humanism, and these qualities are evident in abundance in WE HAVE A POPE. He is ably assisted by Piccoli’s sensitive portrait of a man caught in a conundrum both existential and political. And yet, amid these weighty reflections, comedy keeps bubbling to the surface. –Piers Handling
115
SENNA / MY LAST DAY WITHOUT YOU
THE SALT OF LIFE / THE FAIRY
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