am really enjoying producing quick sketches on my new iPad.
Your work is extremely detailed - you must have a lot of patience. I think detail is a relative term. After practising mainly as an architectural draughtsman for the past 26 years, my work is not that detailed. I don’t have great patience – just a will of iron! My drawings nowadays are usually a fast sprint and not a marathon. The faster my pen moves the more satisfying the result.
What is your favourite or most inspirational place? Venice. I would like to visit Seville/ Cordoba area of Southern Spain. Castellon de la Plana (north of
Valencia) is the place where I reinvented my drawing style in 2001. France has the most beautiful old villages but Spain has the colours.
You’ve just retired: congratulations! What are you excited about doing next? Everything! I’m finally living my preferred lifestyle. Now I’ll have more time, I hope to use my weird imagination a bit more and increase my repertoire of artistic technique other than watercolours.
What’s your definition of the perfect day? Waking up without the alarm clock, a quick burst of sketching/drawing, a speed walk or slow jog across the
heather moors opposite our family home on the outskirts of Sheffield, then to end the day, a glass of red wine and meal with family and/or friends.
What’s the best piece of advice you’ve been given? Don’t be an architect. But it was my ‘calling’ and I didn’t (still don’t) know any better!
Where can we find out more about you and your work?
www.brynhughes.co.uk http://brynhughesart.blogspot.com
Winter 2010 | ukhandmade | 47
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113