HIFF.ORG AFTER DARK PRESENTED BY CHINATOWN NEWSPAPER
NOMINATED FEATURE DIRECTOR AND CAST IN ATTENDANCE
ROOM IN ROME
HABITACION EN ROMA HAWAII PREMIERE saTURDay, OCTObER 23 | 10:30 Pm | REgal DOlE
sPaIn 2010 | sPanIsh, ITalIan, RUssIan, basqUE W/ EnglIsh sUbTITlEs | 109 m DIRECTOR: Julio Medem sCREEnWRITER: Julio Medem PRODUCERs: Julio Medem,
Alvaro Longoria CInEmaTOgRaPhER: Alex Catalan CasT: Elena Anaya, Natasha Yarovenko, Enrico Lo Verso, Najwa Nimri
One early summer’s evening, Alba meets Natasha on the streets of Rome, as they spend their last day in the Eternal City. Alba invites Natasha to her hotel room where they embark on a 12-hour intimate, passionate, and physical journey that will mark their bodies and souls forever. The couple discusses past sexual exploits and relationships while also sharing their trepidations about what lies in their immediate futures. Come morning, the sunrise illuminates more than just their hotel window as the lovers have revealed deep secrets they’ve never shared before, emboldened by the belief that they will never meet again. Director Julio Medem (SEX AND LUCIA) combines the original’s lyrical eroticism with his own visual panache to craft a sensual exploration of love’s fickle caprice.
WE ARE WHAT WE ARE
SOMOS LO QUE HAY HAWAII PREMIERE
WEDnEsDay, OCTObER 20 | 10:15 Pm | REgal DOlE fRIDay, OCTObER 22 | 9:15 Pm | REgal DOlE mEXICO 2010 | sPanIsh W/ EnglIsh sUbTITlEs | 90 m
DIRECTOR: Jorge Michel Grau sCREEnWRITER: Jorge Michel Grau PRODUCERs: Nicolas Celis CInEmaTOgRaPhER: Santiago Sanchez CasT: April Therese Shannon, Ehecatl Garcia, Daniel Gimenez Cacho, Enrique Rocha, Paulina Gaitan
The sudden death of its patriarch leaves a Mexican clan bereft, panicked about their survival, and fumbling to continue a family tradition—namely, a cannibalistic rite that involves the hunting and gathering of fresh human meat in present-day Mexico City.
As the widow and her three teenage children grow increasingly desperate, the young director Jorge Michel Grau combines slow-burning suspense with simmering sexual tension and a queasy sense of mystery: the belief system behind what the family calls “the ritual” is never fully explained. A potent and tremendously assured first feature, WE ARE WHAT WE ARE packs the allegorical and visceral punch of the best vintage horror.
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AMPHETAMINE / THE GIRL WHO KICKED THE HORNET’S NEST
A HORRIBLE WAY TO DIE / MACHETE MAIDENS UNLEASHED
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