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its growing popularity is a positive sign that our throwaway culture is reassessing the value of days gone by. And now there’s even a new festival dedicated to the cause. Vintage at Goodwood, which took place in August,


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is the brainchild of Wayne and Gerardine Hemingway of Red or Dead fame in partnership with Lord March, mastermind behind the internationally acclaimed Goodwood Festival of Speed and Goodwood Revival. Intended as a voyage of discovery, the festival celebrates music, fashion, film, art, dance and design from the 1940s to the 1980s. “We’ve created something special that fills a niche,


because people don’t just want to see a band, they want to have an experience,” says Wayne Hemingway. “We’re giving an in-depth look into the underground


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There’s been a huge revival in the popularity of vintage and we’re not just talking second-hand clothing. Young guns are revisiting the golden oldies with a renewed respect for music, fashion, art and design through the decades. Kathryn Sharman reports.


intage is fast becoming mainstream, and while this may not please some die-hard fans,


scenes of lots of different kinds of music and design, but in an accessible way. It’s not nostalgic: it’s fresh and exciting.” While there were experiences aplenty at the


festival, music was still the essential element, taking people on a magical mystery tour that included The Faces, Sandie Shaw, The Noisettes, Earth Wind & Fire, The Feeling, Heaven 17 and The Damned. Performers like Sophie Ellis-Bextor and Shingai


Shoniwa, lead singer of The Noisettes, celebrated their love of vintage through their stage costumes. “Vintage at Goodwood was definitely the highlight of the festival season for me and all the


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