This page contains a Flash digital edition of a book.
The introduction of synthetic surfaces has significantly changed the sport of hockey. Since being introduced in the 1970s, competitions in western countries are now, almost exclusively, played on artificial surfaces. This has increased the speed of the game considerably, and changed the shape of hockey sticks to allow for different techniques, such as reverse stick trapping and hitting. Tina Ribbans reports.


ASTROphysics H


ockey artificial turf differs from football and rugby artificial turf in the way that it does not try to


reproduce a grass ‘feel’, being made of shorter fibres, although surfaces are now available which enable users to play both sports on the same surface. This shorter fibre structure allows the improvement in speed brought by earlier artificial turfs to be retained. Hockey pitches are generally broken into three categories. Unfilled: Often called ‘water-based’, the pile is unfilled. The pitches require wetting, hence the name ‘water-based’, often via prolonged showering with a pitch-side water cannon prior to their use and, occasionally, during half-time intervals depending on the prevailing atmospherics. They are favoured since they offer more protection for players by minimising the abrasive effect created by sand. These pitches form the majority of the elite level hockey pitches in use today. Sand- dressed: The pile of the carpet is filled to within 5-8 mm of the tips of the fibre with fine sand. The sand cannot be seen and can often be confused with unfilled pitches. Sand filled: The pile of the carpet is filled almost to the top with sand. The sand makes the pitch rough and harder. In comparison to water-


based pitches or minimal sand-dressed pitches, ball speed across the surface is often noticeably slower.


It is a false economy to scrimp on maintenance. Whilst you may save money in the short term by extending the maintenance intervals, or waiting until problems occur, an expensive recovery operation or, in some cases, a total renewal of the surface will be needed far sooner than if a maintenance programme is in place.


Although suppliers and installers of the surfaces differ in opinion over which system is best for their clients, there is at least agreement from all parties on the fundamental aspects involved in the maintenance of the surfaces once they have been fitted.


Any playing surface which contains an infill will, at some stage, suffer from migration of the infill away from the areas used most often. The intensity will obviously vary dependent on the usage and the particular system used but, rest assured, it will happen. Dirt and debris will accumulate on the playing surface, which may have been brought about by the wind and rain, the players footwear, or, if an indoor facility is being used, general dirt and dust from within the building. If left untreated, the surface


will gradually deteriorate. The sections that follow outline the key


areas of attention. Infill Levels:


Infill levels must be regularly monitored to ensure correct and even levels and distribution are maintained. It may be necessary to remove any excess infill or top-up the levels with suitable granular materials. Failure to do this will seriously impact on the viability and longevity of the facility.


Drag Brushing/Matting:


Drag brushing of a synthetic surface remains a primary and fundamental maintenance operation. Specialist drag mats have been designed to help remove both surface debris and contamination and have become a valuable addition to the in-house maintenance remit. Ideally, drag mats should be used in conjunction with an appropriate drag brush.


Seams/Inlaid Lines:


Periodically, the seam/inlaid play lines across the surface should be checked for soundness and stability. This will ensure that any failures are highlighted at an early stage and repairs can be made before they worsen and increase the health and safety risk to any users of the facility.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132
Produced with Yudu - www.yudu.com