different applications.”
In addition to the main control room, the entire system can be
governed from anywhere in the hall using a mobile rack furnished
with a Midas Venice 160 console. This allows sound engineers
to be flexible and adapt the system perfectly to the acoustic
conditions and audio requirements of a wide variety of events.
The sound engineers also have a Midas Verona 320 console
at their disposal and four DN370 graphic EQs, three DN1248
microphone splitters and two Square One dynamic processors
– all from Klark Teknik. Srbiš said: “The system was designed to
TOP LEFT: The Midas Verona 320 console overlooking the action
BOTTOM LEFT: System control
give the arena optimum results, but in a cost effective way. We
TOP RIGHT: EV enclosures are flown high above the arena ground to
had to optimise the system to make the best value for money ensure even coverage
offer. For example; in the beginning, we specified a 40-channel
BOTTOM RIGHT: The stadium can seat up to 22,000 people
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