This page contains a Flash digital edition of a book.
REPORREPORT
Lighthouse Technologies - Lord’s Cricket Ground
VIDEO&VISUALS
Image © Clare Skinner
Nedit Lumino for T-Mobile
Lighthouse Technologies for Leeds Festival
T-Mobile Headquarter in Bonn. The company is currently plan-
ning a new 190 square metre installation at the Onassis House of
Letters and Fine Arts in Athens in 2010. CurveLED takes a unique
approach in the use of double-sided LED strings that can be hung
from a connection unit and cut to any length to create any shape.
Intricate curves and waves of light are possible allowing new levels
of sophistication and creativity with 75% transparency.
Mesh display modules are entering the mature phase of their
development and supply cycle, with most of the established ‘big
name’ suppliers already offering product. In addition, several less
well-known but well established far eastern companies also pro-
vide reliable offerings and market competitiveness is forcing pricing
down, making this technology far more affordable than the modu- ing us to shape images around structures and into intricate forms,
lar block version. Elport (EU) distributes one such range branded even allowing the whole of a nightclub to become a ‘light box’.
under the LED Web name. Managing Director Lee Edwards Coupling these displays with powerful graphics engines such as the
outlines the benefits: “Transparent screens offer whole new op- Green Hippo Critter or e:cue’s own allows us to deliver sophisti-
portunities for application for lighting and set designers as they can cated and exciting visual effects as well as video sequences.”
effectively ‘disappear’ as light and smoke effects can pass through One of the greatest advances and applications of LED video dis-
them and objects and performers can be revealed behind them. plays within the entertainment sector is in its use as graphic back-
We offer flexible LED Web strips comprising LED point sources drops to live events. Powerful video processors, image manipula-
inside a flexible plastic tube, either as single strips or sheets that tors and graphic creation tools enable video content to be created,
can be moulded to objects. Cabinet LED is a 5mm pitch unit that simply, quickly and economically. Sian Sparkes at DisplayLED
can be used around circles and archways. This allows video and comments on the attractiveness of their new mesh display range:
graphic effects to be shaped into and around structures and turn “Our digiLED Flex product broke the mould and is one of the
them into light features.” most innovative products on the market today. Flexible, magnetic,
Philips iColor Flexis a similar concept, a flexible strand of large, lightweight and only a few millimetres thin, the applications for Flex
high-intensity, full-colour LED nodes with both indoor and out- are almost limitless in staging, events, TV studios, signage, advertis-
door ratings. Each strand consists of 50 individually addressable ing, theatre and opera houses and architectural application. It has
LED nodes, featuring dynamic integration of power, communica- recently been used on tour with Take That and at the Tokyo Motor
tion, and control. The flexible form factor accommodates two- Show. The digiLED Tile is one of the lightest and thinnest available
and three-dimensional configurations, while high light output af- in a range of pixel pitches from 6mm to 30mm, and is suitable for
fords long-distance viewing for architectural accent and perimeter a vast range of fixed and rental applications such as sports stadia,
lighting, large-scale signage, and building-covering video displays. music tours, outdoor advertising and architectural projects in crea-
This type of installation is as important in providing artistic effects tive applications such as curved displays or innovative set designs.”
as much as video. Used in conjunction with the Color Kinetics In terms of the business case, there has always been a disjoint
Light System Manager it can deliver stunning effects to 10,000 between application of the technology and the revenues gener-
LED nodes. Yan Guenancia, Halo’s Managing Director has used ated. Several high profile display networks have been tested for
this and other systems: “Our work in fixed and rental entertain- advertising installations, however aside from one or two instances
ment markets requires sophisticated visual effect products that they have not yet been justified. We are beginning to see some
are flexible, easy to assemble and disassemble. We have deployed billboard networks appear at railway stations and prime shopping
the Philips system as well as the Traxon LED mesh displays allow- locations. In the entertainment world, there is no proven business
032 January / February 2010
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116
Produced with Yudu - www.yudu.com