
Freedom
Boxed canvas edition of 95
Image 30" x 40"
Boxed canvas £499
Framed boxed canvas £675
New to view
Washington Green is well known for finding
exciting talent. this season, we have four new
artists joining us, each with their own distinctive and
eye-catching style - adding new dimensions to our
diverse portfolio
BILL BAtE
Alma tadema and Bacon, and with an
BATE'S STRIkING AND dramatic interest in Rothko's mood and atmosphere,
style evolved from his continuing fascination his work features the strength and beauty of
with the human form and the use of light the body surrounded by a cloudy aura.
and shade to give it excitement and mood. Bate's powerful début collection is
His figurative skills developed whilst inspired by his experiences on the coasts
he was studying for a Fine Arts Degree of Egypt and South Africa. "I've tried to
at Central School of Art and Design in achieve a balance between what the eye
London, where he graduated in 1984. "It sees, the reality if you like, and contrast it
was a great education as it introduced me with the excitement and freedom you feel
to more abstract ideas as well as develop- in water," he says. natural elements like the
ing figurative skills. Although it was a difficult wind and sun also play a vital part in the
process at times, it encouraged me to overall composition. "When you're by the
experiment and I needed that. " sea, the light is intensified and makes you
Following graduation he continued to focus on a particular part of the subject.
evolve as an artist, exhibiting in London and Yet the areas in shade just merge into the
galleries throughout the uK. A great admir- atmosphere. It gives the body a blurred ap-
er of Caravaggio, Klimt, J W Waterhouse, pearance but also one that is full of energy."
Autumn 2009 Fine Art ColleCtor 15
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84