scene four
now I’ve used a very small ‘rigger’ brush, so called
sky on the top right, and have used that same colour for the
because they were designed to paint the fine lines of the
snow across the foreground.
rigging in depictions of sailing ships. With a sort of a mid All the time I’m using these lighter colours for sky and for snow,
blue-grey, using this brush, I’ve done a random cross-hatching of I’m actually drawing the darker shapes in reverse, as it were, by
lines which will form the basis of the mass of branches in the top LEAVIng the darker background untouched in certain areas, the
part of the finished painting. Then using a bit more white mixed untouched bits thus starting to rough in the shapes of branches
in with that colour I’ve started to block in the basic large chunks and the position of the other riders and the land rover.
of snow on the ground. As you can see, I’ve mixed in some
Cerulean blue with the white to get the colour for the blue-grey
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