Jeffrey Steorts
ARTIST
J
s
e
p
f
e
f
c
S
ie
te
s
o
,”
rt
h
s
e
, 4
q
5
ui
,
p
g
s
r
.
e
“
w
I’m
up
a
a
s
n
in
d
g
s
le
ta
g
ye
u
d
y,
i
a
n
f
San Diego. “I’m an endangered
intimacy,” he laughed. His frat
raid of commitment and
lives in the same neighb
ernal twin is also an artist and
younger Stoerts, his bro
o
th
rh
e
o
r
od. According to the
world. It doesn’t even look lik
’s
e
w
it
ork is “in another
planet.”
came from this
S
zo
to
o
e
d
rt
r
s
iv
s
in
p
g
en
a
t
d
t
o
w
u
e
b
n
l
t
e
y
-
-
d
tw
e
o
ck
y
e
e
r
a
t
r
o
s
u
a
r
t
b
t
u
h
s
e
.
San Diego
spent the time alone with a busload of
“
p
I
e
b
o
a
p
sically
I
re
g
c
u
e
e
n
s
t
s
ly
I
h
h
e
av
w
e
as
a
m
hi
a
g
k
h
in
t
g
ol
h
e
i
r
s
an
li
c
v
e
ing
fo
s
r
e
r
l
e
li
p
n
e
g
ti
h
ti
o
o
m
n
le
.
e
”
.
a
U
la
n
r
ti
m
l
Right now, he’s working on a commissioned pie
systems.
cross with a barometer as its centerpiece. “
ce, a large
is centered around the heart,” he said.
A lot of what I do
“
f
s
o
W
r
h
m
at
y
g
s
o
te
t
p
m
-m
e
o
g
t
o
h
i
e
n
r
g
,”
o
S
n
to
th
e
i
r
s
ts
pa
s
t
a
h
id
w
.
a
“
s
I w
w
a
a
n
n
t
t
e
in
d
g
to
to
c
c
r
r
e
e
a
ate a gift
b
o
u
m
t i
e
n
t
s
h
e
in
r
g
ted
us
i
i
n
ng
th
w
e
o
c
o
e
d
nt
a
e
n
r
d
o
m
f
e
it
ta
th
l.
e
I
m
m
e
a
c
d
h
e
an
a
is
m
m
ed
fr
ie
o
v
m
al
te
a
cross,
p
a
o
m
ck
o
e
d
t
e
.
r
I
n
th
d
o
e
u
vi
g
c
h
e
t
w
th
a
e
s
j
i
u
n
x
te
ta
r
p
es
o
t
s
in
it
g
io
.”
n of the ancient with
I
a
n
nd
hig
cr
h
e
s
a
c
ti
h
v
o
e
o
w
l
r
h
it
e
in
e
g
x
.
c
“
e
P
ll
o
ed
etr
a
y
t w
is
o
p
o
a
d shop
of my work,” he said
rt of all
started s
. At about age 25 he
te
J
always ha
e
d
ek
a
i
n
ng
in
a
te
s
r
p
e
i
s
r
t
it
i
u
n
a
m
l p
a
ath. “I
b
ha
u
s
t I
s
d
en
id
t
n’
m
t
e
re
o
a
n
lly
th
h
e
a
p
v
a
e
th
my
fo
o
r
w
k
m
n
in
a
v
g
k
o
t
in
ic
h
g
e
in
w
.
g
M
s
ha
y
,
t
s
I
p
m
ir
a
it
k
u
e
a
.
l
”
journey
are a numbe
s
r
tu
o
d
sen
f
ie
r
d
oa
a
Th
lo
e
t
fo
o
l
f
lo
h
w
e
i
a
n
v
g
y
p
m
o
e
e
t
m
al.
is
A
c
t
o
t
n
h
t
e
ai
c
n
e
e
n
d
te
in
r i
a
s
m
a
edieval cross on a stand, with
wat
J
c
e
h
ff
e
rey collects discard
b
sp
ra
a
s
c
s
e
c
a
o
n
m
d
p
t
a
im
ss
e
e
a
s
n
a
d
t
m
th
a
e
tt
a
e
p
pocket watch mechanism, with
r.
e
”
xes. “The cross to me is an intersection of
use
s
s
ev
a
e
n
n
ti
t
q
y
u
p
s and glass, then c
e
e
s
rc
in
en
h
t
is
o
w
f
o
h
r
is
k.
materia
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