This page contains a Flash digital edition of a book.
85
KARBOXX
BABEL
Karboxx continues its
research and in-depth
analysis of the design themes
that have alwaysbeen at the basis of the company’s growth
culture, observing people and lifestyles. The Babel light was
designed byFabio Flora who was inspired bythe tower of Babel.
This tower still exists and even todayits precarious equilibrium is
nurished from an inner light as is the Karboxx Babel -hanging
with its shades in honeycomb canvas fabric available in white or
black with ceiling fitting in white painted metal.
www.karboxx.com
MOLTO LUCE
SILENCE
Available as atable
lamp, floor lamp
or pendant, Silence
is finished in shiny
chrome or shinyblack with achoice of golden or silver
shades from 350mm to 600mm diameter.
www.moltoluce.com
ILTI LUCE
EKINOS ( LE FT)
Designed byFerdi Giardini, Ekinos is apendant lamp
made of orange or black acrylic rose and aluminium
dissipator fins.
www.iltiluce.com
SLAMP
CREATURES ( RIGHT )
ForEuroluce Slamp have organised their products into four families: The
Beauties, The Simples, The Futures, and The Totems. The Beauties are rich,
layered and chandelier-like. Theyinclude classics like Ginetta and Fiorella,
and the new Creatures -shown here. The Simples, like Goccia and Gemmy,
are smaller,simpler and more playful. The Futures, including the newly
launched Corona and Pacis, have more abstract outlines, while The Totems
bring sculptural form to the floor standing lamp, from the simplicityof the
original Tube to the waveycolumns of Dea.
www.slamp.com
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124
Produced with Yudu - www.yudu.com