BRAND OF THE MONTH
changing and reinventing itself
chameleon-like to reflect the zeitgeist.
From the Cambridge Footlights to
Puppetry of the Penis, it has always
dared to lead in the world of comedy.
But it is far more than that, with a
peerless reputation in experimental
and contemporary theatre.
And it’s a brand you can never tire
of, because the great thing is it’s
completely different every year; new
genres, new artists, new venues, new
controversies.
What other brands can you think of that
morph from year to year, performance
7 G 6 C 9 D ; I = : B D C I =
to performance, street corner to street
The Edinburgh Festival Fringe
corner with apparently no rules to
adhere to? This isn’t a brand stifled by
words Iain Valentine, Creative Director, Whitespace
guidelines. It has no rights or wrongs
and it has not succumbed to corporate
T
he Fringe, as we so familiarly know it, is the greatest festival brand in the world
pressure or political correctness and
and it’s right here on our doorstep. The Cuckoo in the Edinburgh Festival’s
yet it relies heavily on the corporate
nest has outgrown its parental home and taken on an ever-changing and
world for its funding.
independent identity of its own. It doesn’t even need its home name (Edinburgh) to be
recognised. In Britain, at least. It’s a brand that subsumes those who
experience it, and you know what? It
I’ve realised a not-insignificant lifetime’s ambition this year by being professionally
makes September in Edinburgh one hell
involved in developing the Fringe’s campaign marketing, something that repeatedly
of an anticlimax.
evaded me as a youngster. I studiously entered the school poster competition year
after year, and was short-listed more than once without ever winning. To conclude, in paraphrasing Samuel
Johnson, ‘When a man is tired of the
‘The Fringe’, just saying those two words conjures up a kaleidoscope of amazing
Fringe he is tired of life’.
images; colour, campness, unbridled enthusiasm and, of course, laughter – with a
mono-cycling juggler or two thrown in. It’s a brand that is amorphous, constantly
www.thefringething.com
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