This page contains a Flash digital edition of a book.
Conservatories Today | Home Ideas
above: New build
conservatories by Cristal
Clear Limited. This white
Pvcu Conservatory
added as part of the
house build, saving the
customer pounds in VAT.
left: This stunning
conservatory was
designed and
installed by Oakleaf
Conservatories.
right: Glass Houses
by Jeremy Uglow.
below: Timber
conservatories and
Orangeries built to
compliment the property
bringing the garden into
your home. Bespoke
designs by Cristal Clear
Limited.
So what styles are available?
Victorian properties or terraced houses as specialist conservatory companies can mix
Conservatories in Victorian or Edwardian they tend to fit into narrow spaces that designs or devise a one-off design to create
styles, and lean-to versions, remain would otherwise have been unusable. the perfect conservatory to suit your house
popular and obviously suit older properties. Finally, there’s the bespoke, where and budget.
Variations include structures with either
full-height glass walls or dwarf walls with
glass.
So with so many different styles
available, it can sometimes be difficult to
choose, but here we have outlined the four
basic designs, but obviously, your choice
will depend on the size and style of your
house and garden.
A Victorian conservatory has a three or
five facet bay frontage, with square sides.
Although this is a very popular option, it
does restrict the space available for larger
items of furniture.
The Edwardian style tends to have a
square end that gives maximum floor
space, so this is a good option if space is
limited, and also has the advantage that
larger items of furniture can be used.
The old fashioned Lean too style, is
quite basic and rectangular in shape
which extends off the house with a sloping
roof. This style is particularly useful for
www.thimagazine.com
April 2009 | Traditional Homes & Interiors 57
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132
Produced with Yudu - www.yudu.com