also holds shows every couple of the artwork that hangs at the front
months to engage with the commu- of the studio. The work ranges from
nities and showcase the talents of abstract ideas to concrete imagery,
their artists. with all sorts of styles and themes in
between. A recent show produced
EAA and all the programs at Milestone a series of sculptural birds that
focus on the ability and strengths were embellished by the artists with
of the artists. Art projects are tai- different materials like paper, ribbons
lored to bring out the best talents of and other craft items. Many of the
each individual and in helping each pieces are available for purchase,
individual develop their talents with a significant portion of the
and skills based on their interests. profit going to the artist. Reproduc-
Because of this, EAA is recognized tions of the artwork are also used
as a viable contender in the booming to create t-shirts, pillows, greeting
Pittsburgh arts community. cards, jewelry and even purses.
And the results? The caliber of the The current show, “Images of
artwork produced at this working Our Lives”, which will run through
studio is astounding. Each artist has March 13th, showcases the stunning
a distinct style which is reflected in photographs of several artists who
worked with the Art Institute faculty
and photographer Jessica Kalmar.
Shows like this are vital to EAA,
because they serve as an opportu-
nity to make essential connections
to the community. The show is
open to the public, with a closing
reception on March 13, 2009. Visit
www.milestonecentersinc.org
for more information.
er
ew Mey
• Photos: Andr
55
ART
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146