studiotocreatethedistinctivefurniture.She of Architecture at Waseda University in wood,witheachpiecefashionedtoacquiesce
workswitheveryclient,selectseachslabof Japan.Itwasararefieldforayoungwoman, tonaturalflawsandcelebratethewood’s
wood,designseachpiece,andoverseesthe but her father encouraged her. “In unique imperfections. The results are
productionofeachchair,tableandbench architectureschoolitwasextremelyunusual glorious,creatingfurniturethatdanceson
made.Sheisthecreativeforcebehindthe tobeawoman,especiallyinJapan,”shesaid. theedgeofart,glowswiththelifeofthe
studio–responsiblebothforperpetuatingher “MyfriendsandIwereallconsciousthatwe originaltree,andrevealsthehandiworkof
father’slegacyandfordesigningherown werealittleodd.Wewereinaman’sfield, mastercraftsmen.
originalpieces. butwejustdidn’tthinkanythingaboutit.”
In1970,Nakashima-YarnallreturnedtoNew
When George Nakashima died in 1990,
Nakashima-Yarnall was born in Seattle,
Hope.Bythenshewasmarriedwiththree
manyfearedthatthemagnificentfurniture
Wash.,in1942.Whenshewasstillaninfant,
childrenandwouldsoonhaveonemore.For
woulddiewithhim.ButNakashima-Yarnall
herfamilywasforcedtoliveinarelocation
thenext20years,sheraisedherfourchildren
hadotherplans.“Itwasalittleiffy,”shesaid.
center, where Japanese-Americans were
andcontinuedworkingalongsideherfather
“Eventhepriestatthefuneralsaid,‘These
relegatedduringWorldWarII.Internedbehind
tocreatetherenownedNakashimafurniture.
hands are still, there will be no more
barbed-wire for more than a year, the furniture made.’ And I thought, ‘Wait a
Nakashimafamilywasultimatelyreleasedand Thefurnitureisutterlybreathtaking.Each minute.’Westillhadthree-and-ahalfyears
landed in New Hope, where George piececombinestherusticnatureofwood worth of orders. I felt obligated – to the
Nakashimabuilthishomeandstudio.Itwas with a lyrical, Japanese-inspired design, people who had orders in, to the men
therethatNakashima-Yarnallgotherearlystart creating furniture that exists at the working, and to my father to finish that
inwoodworking.Shesaidtherearephotosof convergence point of exquisite form and furniture.”Shealsofeltthepullofthewood,
herasathree-year-oldtoddlerperchedon practicalfunction.Afterall,usefulnessisan stackedfloortoceilinginthestudio,waiting
herfather’sworkbenchusingadrill. absolutetenetoftheNakashimaphilosophy. tobereborn.“Ididfeelobligatedtothepile
“MyfatherfollowedtheMengeitradition,” ofwoodthatdadcollectedoverhislifetime,”
Herchildhoodtoyswouldlaterbecametools
saidNakashima-Yarnall.“Ifit’snotuseful,it’s shesaid.“Itwasmydutytoputthemtouse
N
A
asNakashima-Yarnallbeganformaltraining.
notworthverymuch.Themoreitisused, the way I thought he would want them
M
She earned a Bachelor of Arts in
the more beautiful it becomes.” The used…InJapan,wetalkaboutobligation
O
W
Architectural Sciences at Harvard
philosophyalsocentersonareverencefor andrespect.Tomethat’simportant–toour
UniversityandwentontocompleteaMaster
T
Y
trees.Thefurniture’sdesignisdictatedbythe ancestorsandthenaturalworld.” N
U
continuedonpage38
O
C
K
S
C
B
U
3
7
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68