This page contains a Flash digital edition of a book.
www.prosoundnewseurope.com 365 UNITED STATES Avid’s sheds M-Audio and more By Dave Robinson


AVID ANNOUNCED on 2 July that it is offloading its consumer audio (M-Audio and AIR Software Group) and video product lines, for $17 million (€13.5 million). InMusic Group, the parent of


Akai Professional, Alesis and Numark, is said to have paid around $15 million for the M-Audio line of keyboards, controllers, interfaces, speakers and digital DJ equipment, and the AIR virtual instrument/plug-in Software Group. In a separate deal, the media


tools developer has sold consumer video editing line (based on Pinnacle Systems technology) to Corel Corporation, a Canadian consumer software company. Shortly after it emerged that the UK office of score-writing software Sibelius was to close.


Gary Greenfield, Avid CEO Ian Bruce, Avid director of


communications, confirmed to PSNEurope: “Avid is closing its Finsbury Park [Sibelius] site. However, we’d like to stress that this should not in anyway [sic] be confused with a diminishment in our commitment to Sibelius.” Headcount at Avid will be


reduced by around 365, or 20%, following the moves. The proceeds from the sale should offset most of the


restructuring charges paid in 2012, says Avid. In a conference call, Avid also revealed it aims to save $80 million annually ($64 million by cutting staff, $16 million by “darkening facilities”). Avid bought Sibelius in 2006


for $23 million from Ben and Jonathan Finn, who first devised the scoring programming in 1993. Avid bought M-Audio for over $160 million in 2004, and Pinnacle for $462 million in 2005. In a press release, Gary


Greenfield, CEO of Avid (who has an ‘executive compensation’ package of $4.8 million), stated: “By streamlining and simplifying operations, we expect to deliver improved financial performance and partner more closely with our enterprise and professional customers.”n www.avid.com


PORTUGAL


REPLAY STUDIOS in Santa Maria De Feira, Portugal, has installed an SSL Matrix console as the last step of a three-year progressive upgrade. The studio opened in 2009 with Alpha VHD Pre and Duende plug-ins. The studio took its first steps into the analogue domain with an X-Rack, and is currently using a MadiXtreme and Alpha-Link I/O


system alongside the Matrix. “The Matrix’s open architecture means we can approach almost all production tasks from an angle best suited to meet the needs of our clients,” said studio co-owner Mário de Sá. “We love it. Life’s good and music is better!”


www.replaystudios.net www.solidstatelogic.com


July 2012 l 19


Projected job losses at Avid globally


studionews


 


            


     





   


      


     





DirectCable Systems Ltd


 





  


 





CONNECT WITH YOUR


AUDIENCE


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60