YAMAHA COMPANY PROFILE
models and have the SPX digital multi- effects engines, packing a huge amount of signal processing power into the compact chassis. If the user needs to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer’s effect footswitch jack. Another demonstration of Yamaha including the latest technology on its analog mixers can be found in the MG- USB models, which, as the name suggests, add a USB interface to allow integration between the mixer and a Mac or PC running the supplied (Yamaha-owned) Steinberg Cubase AI5 software. This
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satisfies every possible use,” says Peter Peck of Yamaha Music Europe (UK)’s professional music division. “We have to accept that different technologies can exist side by side. There is no panacea and at Yamaha we have always found that diversity is the key. “We are continually working to improve our analog mixers alongside the digital ranges, applying new technology and the latest thinking to have different ranges of consoles to satisfy every market. “We consider ours to be the most
respected digital consoles and we take that experience and knowledge to produce a major line-up of smaller, analog mixers. By combining this with the core values mentioned before, we aim to keep Yamaha dominant in the mixing console market.”
MG: COMPACT, NOT MIDGET An example of this is the MG series of powered analog mixers, which covers 12 models and between them are ideal for everything from corporate, classroom and church systems, through rehearsal and production studios, right up to major theatre and live music events. Touted as ‘the ultimate in portable-yet- rugged, cost-effective flexibility’, the MG
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series is made in four ranges. The MG-C models comprise the MG102C (ten inputs), MG124C (12 inputs – you get the idea), MG166C and MG206C. All of these feature four stereo line inputs with XLR mic inputs making up the remainder of the channel count. There is a host of pro- level features, such as onboard compressors and graphic eq, switchable phantom power, input gain trim pots, insert channels, LED metering and Neutrik XLR connectors, but its all very straightforward to use. The compact size also makes them
ideal for small spaces. The MC102C, for example, measures just 30cm by 26cm, while the MG166C and MG206C can be mounted in a standard 19-inch rack. The MG-CX line-up comprises the MG82CX, MG124CX and MG166CX. These models have all the features of the C
inputs remain active for background music, connectors for external power amplifiers/effect processors and a high- efficiency, high power onboard amplifier. The console-styled EMX5014C and 5016CF feature all of the above, as well as the inclusion of 26-dB pad switches for input level matching, three band eq on all of the input channels (with mid- frequency sweep on mono channels), power amp mode selector and, on the EMX5016CF, nine band digital graphic eq with presets and memory, automated frequency response correction, automated feedback suppression and a multi-band maximiser.
We have to accept that different technologies can exist side by side. There is no panacea and at
Yamaha we have always found that diversity is key. Peter Peck
Yamaha Music Europe
provides a powerful set of DAW tools that are pretty easy to use. The three-console line-up offers a choice of 16 or 20 input channels, the former with or without an onboard SPX processor. For medium-sized and larger scale events, the MG-FX models offer all the features of a high-spec front of house or monitor board and have become regulars with many rental and touring systems.
“One of the key aspects of the range is that they make it really simple
for the inexperienced user to create a tight and controlled
sound,” says Peck. “Market research
never ends and it’s only through this that we can
make sure we've included all the
features that specific markets need. For example, the footswitch control on the MG-X models has been really well received, while things like rack ears on the MG166C, MG166CX, MG206C and all the USB models have allowed installers to specify without any additional cost.”
EMXCELLENCE The EMX series of powered mixers takes the application of digital technology to analog mixers one stage further. Housed in convenient angled cabinets
for easy portability, the EMX212S, 312SC and 512SC all feature Yamaha’s proprietary FCL system (which makes locating and eliminating feedback very easy), 16 digital SPX effect programs with adjustable parameters, a standby switch to mute performer inputs while the stereo
MW – SMALL IS BEAUTIFUL It would be a mistake to think that Yamaha mixers are all about live sound. Applying the technology developed for the live environment to recording means that there are flexible solutions available for all kinds of recording needs. The MW series offers eight, ten and 12
channel consoles with the same USB technology from the MG-USB series. They allow for recording to a Mac or PC running the same Cubase software – turning a computer into a pro quality studio. The MW8CX and MW12CX also feature
the SPX effects processor, providing high quality signal processing within the console. Each of the 16 effect programs has a number of editable parameters, as well as effect on/off switching capability and return level control. Ideal for the home or project studio –
or for companies that want to make their own audio/visual promotions – the MW series is designed to be very easy to use, meaning that even the most fleeting idea can be captured quickly.
IN GOOD COMPANY “Our analog ranges are designed specifically to be easily usable for anyone from the home musician, through staff in schools, churches, public facilities and at companies to whom audio is just one of many jobs, to full-time, professional mixing engineers,” concludes Peck. “As well as giving them all the facilities they will need at their fingertips and the confidence that Yamaha’s reliability brings, we have also tried to make the operation manuals really intuitive. We recognise that not every user is a skilled mix engineer, so in all manuals there are clear explanations of mixing terminology, cabling and how to get the most from all the products. “Using a Yamaha mixer means that you
can easily get the best results – along with the knowledge that you’re in the company of thousands of others doing the same.” YAMAHA: 01908 366700
miPRO OCTOBER 2010 49
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